20 Days in Mariupol (18)
- RBC Film Theatre Mill Road Dumfries, Scotland, DG2 7BE United Kingdom (map)
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A love story like no other, The Cycle of Love is an inspiring, heart-warming, epic true-life adventure about self-belief, destiny and the courage to risk everything for love, traversing continents in a journey spanning Delhi to Sweden. The film documents the romantic journey of PK Mahanandia, a Delhi street artist who trekked 6,000 miles by bicycle in 1977, venturing across continents to reunite with the woman he loved.
Set against the backdrop of mass protests in Paris, Case 137 follows Stéphanie, a meticulous internal affairs investigator assigned to investigate a teenager critically injured by police fire. Stéphanie is tasked with uncovering the truth, but her inquiry collides with institutional resistance and pressure mounts as the case turns personal, forcing her to confront the fragile lines between truth, loyalty, and justice. In French with English subtitles.
Case 137 is part of our Power, Corruption and Lies on Screen Season, a themed run of films exploring how power can be misused, how corruption develops, and how truth can be manipulated. You can see films like All The President's Men, Klute, and The Parallax View as well as rereleases of several of legendary French director Claude Chabrol's films which explore moral, rather than political, corruption and where polite society and dark secrets entwine to murderous effect.
A vanished wife. A borrowed name. A house in the Portuguese countryside. Grieving and aimless, quiet geography teacher Fernando slips into another man's identity as a gardener — and finds, in the friendship that follows, a life that isn't his own. A tender and hopeful story about connection and purpose. In Spanish and Portuguese with English subtitles.
“Gently but determinedly pulls the rug from beneath you at every turn… one of the most delicately observed relationships in recent cinema… a small, enigmatic marvel of a film, and a worthy swansong for Solo, an actor possessed of the most soulful gaze in Spanish cinema” - 8/10 UNCUT
A vanished wife. A borrowed name. A house in the Portuguese countryside. Grieving and aimless, quiet geography teacher Fernando slips into another man's identity as a gardener — and finds, in the friendship that follows, a life that isn't his own. A tender and hopeful story about connection and purpose. In Spanish and Portuguese with English subtitles.
“Gently but determinedly pulls the rug from beneath you at every turn… one of the most delicately observed relationships in recent cinema… a small, enigmatic marvel of a film, and a worthy swansong for Solo, an actor possessed of the most soulful gaze in Spanish cinema” - 8/10 UNCUT
A leading member of the French New Wave, who came to be regarded as the 'French Hitchcock', for many years Claude Chabrol's classic thrillers have been missing from UK screens. Chabrol’s most celebrated and sinister film sees a tender friendship between a schoolteacher and local butcher darken as a series of murders unsettles life in their village. In French with English subtitles.
Le Boucher is part of the Power, Corruption and Lies on Screen Season, a themed run of films exploring how power can be misused, how corruption develops, and how truth can be manipulated. Alongside classics like The Big Sleep and All the President's Men the season brings together three of Chabrol’s most disturbing works, from 1969's La Femme infidèle and 1995's La Cérémonie (based on Ruth Rendell's novel A Judgement in Stone), these are thrillers which explore moral, rather than political, corruption and where polite society and dark secrets entwine to murderous effect.
Directors Yuval Abraham and Rachel Szor: We made this film out of a sense of obligation to use our position as Israelis to examine the systems behind the mass killing of Palestinian civilians for which our country is responsible. While filming over the past three years, we found ourselves asking the very questions that were asked by our grandparents’ generation and throughout the 20th century:
how does one group of people allow the total dehumanisation of another? What do the inner workings of such a system look like? Many of the revelations in the film were published almost immediately as we learned of them, in the months following the October 7th attacks, by The Guardian (one of NAZA's producers), in collaboration with reporting partners +972 Magazine and Local Call. The film lets us explore something deeper than we could in our investigative journalism alone: not only the words being said but also those that are not said, the silence. It is up to all of us to break that silence.
Please note - there will be a post-film discussion following the screening on Saturday 21 November.
Delving deep into the woodland realms, where lynxes, bears, deer, owls,
capercaillies, and other river creatures roam, Vincent Munier not only seeks to pay tribute to the visual splendor of nature but also to capture the forest’s poetic sounds.
The whispers of the woods echo the whispers passed from Munier’s father to himself, and now to his own son.
This becomes a heartfelt declaration of Munier’s love for his father, intertwining familial bonds with the untamed beauty of the natural world. In French with English subtitles.
The acclaimed and hugely popular French documentary will feature a pre-recorded Q&A, a conversation between director Vincent Munier and acclaimed artist-author Luke Adam Hawker (who has over 500k+ followers on socials).
PLEASE NOTE Change to Tuesday Night Film Club. FATHERLAND centres on the relationship between the Nobel Prize-winning writer Thomas Mann (Hanns Zischler) and his daughter Erika (Sandra Hüller) - actress, writer and rally driver. In the summer of 1949, at the height of the Cold War, father and daughter embark on a challenging and emotional road trip in a black Buick taking them across a Germany in ruins - from US dominated Frankfurt to Soviet controlled Weimar. Returning home after sixteen years of exile in the US, Thomas Mann has to face not only a divided fatherland, but also a deep fracture within his own family.
With FATHERLAND, Pawlikowski picks up where he left off with his award-winning Ida and Cold War, exploring – in his elliptic, distilled style - the themes of identity, family, love and guilt amid the turmoil and confusion of post-war Europe. In German, French, English and Russian with English subtitles | In Black and White.
War reduced Japan to zero, and Godzilla plunged it into minus.
Two years have passed since then, and the country has faced agonizing struggles to achieve recovery and finally reclaim its daily life. Just as humanity managed to cling to a hard-won peace, a new threat strikes, crushing hope in an instant.
There is no third time. Everything ends here.
In Japanese with English subtitles.
“Taking everything that made Godzilla Minus One work and giving us more, both in terms of spectacle and emotion, Godzilla Minus Zero is a perfect sequel.“ 10/10 COLLIDER
In 1960, sixteen newly independent African countries enter the United Nations, a political earthquake that shifts the majority vote from the colonial powers to the global south. Congo becomes the arena in which the battle over the UN is fought. As Nikita Khrushchev pounds his shoe at the UN-top in reaction to the neo-colonial grab of the resources of newly independent Congo, UN delegates from African Countries are blackmailed. In an incredulous twist Patrice Lumumba’s assassination unites the Afro-Asian block, demanding the UN General Assembly to vote for immediate worldwide decolonization.
Jazz and decolonisation fuse in this upbeat historical rollercoaster, set through a quartet of voices from an activist, a diplomat, a writer and a world leader. Starring Louis Armstrong, Dizzy Gillespie, Abbey Lincoln, Max Roach, Nina Simone, Miriam Makeba, John Coltrane, Duke Ellington, Charles Mingus, Malcolm X and Nikita Khrushchev, and many more. In Dutch, English, Russia, French and Arabic with English subtitles.
Part of the Power, Corruption and Lies on Screen Season, a themed run of films exploring how power can be misused, how corruption develops, and how truth can be manipulated. Soundtrack to a Coup d'Etat exposes how political power is exercised behind the scenes, and how governments, corporations and international institutions manipulate events for their own interests.
Censored for over half a century, Ken Russell’s visionary masterpiece THE DEVILS will be back on the big screen, released in cinemas in the UK and Ireland by BFI Distribution in partnership with Warner Bros. Clockwork.
Fully restored in 4K and cut to Ken Russell’s specific direction, KEN RUSSELL’S THE DEVILS is the first publicly released version of the film as intended by the filmmaker.
An enduring masterpiece of cinema starring Vanessa Redgrave and Oliver Reed, KEN RUSSELL’S THE DEVILS is a prescient epic of obsession and corruption – and a defining work of art from seminal filmmaker Ken Russell. Inspired by the true story of 17th-century priest Urbain Grandier, accused of bewitching a convent of nuns, the film lays bare the collusion of church and state through a searing vision of religious persecution, collective hysteria and institutional corruption.
The film contains flashing images which might affect customers who are susceptible to photosensitive epilepsy.
An intimate portrait of two people bound by love, ambition, and the pursuit of the impossible. Elite ski mountaineers Jim Morrison and Hilaree Nelson fell deeply in love while reaching the pinnacle of their sport: Everest's north face. From Jimmy Chin, Elizabeth Chai Vasarhelyi, the directors behind Free Solo.
Emmy and Tony winner Christine Baranski makes her West End debut alongside Academy Award-nominated stage and screen legend Richard E. Grant in Noël Coward’s irresistible comedy.
Judith Bliss retired from her life-on-stage and she misses the applause. Idling away at their country home, the rest of the family are too self-involved to be a good audience. So, Judith invites a young fan as her guest for the weekend. But unbeknownst to her, each of the Blisses has a guest of their own arriving at the very same time.
Filmed live from the West End, Emily Burns directs this stinging new production.
Intrigue, corruption, betrayal, survival: the walls of the maze are closing in.
The latest from Oscar® nominated writer-director Andrey Zvyagintsev (Loveless, Leviathan), Cannes Grand Prix winner MINOTAUR is a twist-laden parable for our times.
Russia, 2022. Amidst the comfortable trappings of affluence and domesticity, corporate executive Gleb (Dmitriy Mazurov) finds himself under siege on all fronts. At home, he is haunted by suspicions that his increasingly distant wife Galina (Iris Lebedeva) is unfaithful. At work, he contends with a demand from local authorities to draft a quota of employees for the war in Ukraine. Desperate to keep his hands clean, Gleb struggles to reassert control even as the collapse of his carefully ordered life seems fated to accelerate toward violence.
A pressure cooker in cinematic form, MINOTAUR uncovers and indicts the heart of societal darkness with searing clarity. Uniting intimately-drawn performances and stark visual power, France’s Best International Feature Film entry to the 99th Academy Awards® is peerless work from an indisputable master. In Russian and English with English subtitles.
Pierre-Auguste Renoir is one of the world’s favourite artists; a founding member of the Impressionist movement and a constantly evolving artist, he is unmatched at depicting human connection. The National Gallery’s blockbuster exhibition brings together vibrant masterpieces which explore love in all its forms, bringing colour and warmth into the cold winter months.
With exclusive access to this exciting new show, Exhibition on Screen will bring these world class works to cinema audiences, with close examination of the art and leading experts exploring the immense skill and influence of this master of colour and connection.
Be transported back to a Parisian summer of love through the eyes of a true visionary. An unmissable opportunity to fall in love with Renoir this winter.
Made in close collaboration with The National Gallery, London and Musee d’Orsay, Paris.
- Tagged: January, Documentary, 18
