Monday Night Film Club
The European Commissioner for Health, John Dalli, is accused of corruption and trading in influence in a scandal related to the tobacco industry. French Member of the European Parliament José Bové, maverick politician and prominent figure in the environmental party, suspects a setup by the tobacco manufacturer Swedish Match, potentially involving the President of the European Commission, José Barroso. Standing alone against all odds, he decides to investigate and unravel this story, which shook the foundations of the entire European institution. Based on a true story. In French with English subtitles.
Due to a technical issue we have had to cancel this screening.
URCHIN replaces the previously advertised screening of SMOKE SIGNALS - we apologise for any inconvenience this may have caused.
The feature directorial debut of Harris Dickinson (Babygirl, Scrapper, Triangle of Sadness), URCHIN is a bold, fresh and remarkable odyssey, featuring an electric, award-winning performance by Frank Dillane. URCHIN follows Mike, a rough sleeper in East London, who is trapped in a cycle of self-destruction as he attempts to turn his life around. Premiering at Cannes to rave reviews and a Best Actor award for Frank Dillane, URCHIN is an outstanding directorial debut from Harris Dickinson that marks him as an exciting new talent in British filmmaking.
Michel and Cathy, wed for longer than they can remember, lead a quiet but monotonous life in the mountains. When a bear bursts out in front of Michel’s car, accidentally killing two drug dealers and revealing a €2 million loot in the process, their life takes an unpredictable turn, especially when they decide to cover up the incident and keep the money! But their plan leads them to stumble upon an unexplained trail of dead bodies. More used to being honest than crooked, Michel and Cathy’s clumsy cover-up efforts soon put an interfering inspector hot on their trail. Starring Franck Dobosc and Laure Calamy. In French with English subtitles.
Screening as part of French Film Festival 2025.
Celebrated filmmaker Kelly Reichardt (First Cow, Showing Up) directs an unforgettable Josh O'Connor in The Mastermind, her latest Cannes triumph. In a sedate Massachusetts suburb circa 1970, unemployed family man and amateur art thief J.B Mooney sets out on his first heist. With the museum cased and accomplices recruited, he has an airtight plan. Or so he thinks. A brilliant look at the folly of man, The Mastermind also features Alana Haim, Gaby Hoffmann, John Magaro, Hope Davis and Bill Camp. Rich in textured detail, this sly depiction of an era subverts long-held illusions and confronts disillusionment.
Part existential road movie, part apocalyptic sci-fi, Sirât mixes a bit of Zabriskie Point and Mad Max: Fury Road and shakes them up. Some of its images are indelible, in the same way Antonioni’s were in 1970, but French-Spanish director Óliver Laxe’s major weapon here is his sound design, a weaponised barrage of techno with sub-bass that hits like an earthquake and rumbles in the gut. Shared jury prize at 2025 Cannes Film Festival. Cast - Sergi Lopez, Bruno Núñez Arjona, Jade Oukid, Tonin Janvier, Richard Bellamy, Stefania Gadda. In French and Spanish with English subtitles.
Screening as part of French Film Festival 2025.
Have we become a nation of strangers? In Dragonfly, neglected pensioner Elsie (Brenda Blethyn) finds an unexpected ally in her younger neighbour Colleen (Andrea Riseborough). Over time, Elsie gains a friend and the troubled Colleen finds a fresh purpose in life as she shops, cleans and cares for her. It brings brighter days for both of them. Elsie’s son John (Jason Watkins) resents the way that Colleen has selflessly fulfilled the responsibilities that he has shirked. Simmering tensions bring shocking consequences in a gripping human story straight from the heart of broken Britain. A powerful return to the cinema from London to Brighton director Paul Andrew Williams that showcases heartrending, award-winning performances from Brenda Blethyn and Andrea Riseborough.
“It’s a stark, fierce, wonderfully acted film” – ★★★★ The Guardian“
Grace, a writer and young mother, is slowly slipping into madness. Locked away in an old house in and around Montana, we see her acting increasingly agitated and erratic, leaving her companion, Jackson, increasingly worried and helpless. Lynne Ramsay’s blistering depiction of a woman engulfed by love and madness, featuring stunning performances from Jennifer Lawrence and Robert Pattinson.
Jafar Panahi's award-winning drama follows a group of former Iranian political prisoners who face the question of whether to exact revenge on their tormentor.
“Rip-roaring. A powerful moral thriller." – The New Yorker
"The way Panahi blends suspense with dark humor is a skill we haven’t seen displayed so skillfully since perhaps the best days of Alfred Hitchcock." - The Movie Cricket
It’s like a book group … but with films…
It’s a Film + Discussion + Coffee evening and everyone is welcome to attend. No membership required.
An audience or staff member will give a short introduction, and afterwards you are warmly invited to stay on for an informal post-film discussion over a cuppa. However, there is no obligation to join the discussion; you can leave when the film ends if you would rather.
To join in the online discussion, have your say in choosing the next season of Monday night films and volunteer to introduce a film, please join the Film Forum
Monday night film club runs from September to May. The start time is 7pm unless otherwise stated.
