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Deaf follows a young deaf woman and her hearing partner, who are expecting a baby. Unable to know whether their child will be hearing or deaf until birth, it’s a beautiful, nuanced depiction of their journey. The clever use of sound and silence immerses us in Ángela's experience and explores the struggles she faces, given the inadequacies of the world for deaf people. Captioned version. In Spanish and English with English subtitles.
There will be an option to discuss the film after over free tea and coffee.
Deaf is screening as part of National Inclusion Week® (taking place 15 to 21 September), a yearly event that takes place every September that is dedicated to celebrating inclusion and taking action to build inclusive workplaces. It’s a great week to discuss intersectional issues and include all your communities – across gender, race, religion, LGBTQ+, disabilities, carers and social mobility.
One of the world’s greatest singers, Andrea Bocelli has a voice that transcends genres and generations. In this intimate portrait of the acclaimed Italian tenor, Bocelli, for the first time, tells his story in his own words.
Documentarian Cosima Spender follows Bocelli with unprecedented access beyond the footlights to reveal an uncompromising artist and devoted family man with a fearless passion for living. Despite losing his sight at age 12, Bocelli dedicated his life to music and after years spent entertaining customers in piano bars, caught the attention of the legendary Luciano Pavarotti, who heard Bocelli’s voice on a demo tape. Bocelli’s life changed dramatically with the worldwide smash hit “Time to Say Goodbye,” his astonishing duet with Sarah Brightman that catapulted him to superstardom. With hard-fought technical mastery of his voice and his decades-long love of opera — “music’s heaven” — Bocelli would go on to perform on the world’s most prestigious stages and with diverse singing partners such as Céline Dion, Jennifer Lopez, and Dua Lipa. Through interviews, archival performance footage, and informal gatherings with family and friends, Andrea Bocelli: Because I Believe celebrates the voice — and man — who continues to touch the hearts of millions of listeners around the world.
Downton Abbey: The Grand Finale, the cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. When Mary finds herself at the centre of a public scandal and the family faces financial trouble, the entire household grapples with the threat of social disgrace. The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future.
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Silents Synced pairs classic silent movies with epic rock music to bring audiences a unique big screen experience. This reimagining of the iconic Nosferatu (1922) features Radiohead’s Kid A (2000) and Amnesiac (2001) albums.
An unauthorized adaptation of Bram Stoker’s Dracula, Nosferatu (1922) is the quintessential silent vampire film, crafted by legendary German director F. W. Murnau. Rather than depicting Dracula as a shape-shifting monster or debonair gentleman, Murnau’s Graf Orlok (as portrayed by Max Schreck) is a nightmarish, spidery creature of bulbous head and taloned claws — perhaps the most genuinely disturbing incarnation of vampirism yet envisioned.
Don’t miss out on the chance to experience this imaginative new take on an iconic horror classic! The feature will include a 2 minute intro from Josh Frank, creator of Silent Synced.
This version contains descriptive onscreen captions and subtitles for hard of hearing customers.
Downton Abbey: The Grand Finale, the cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. When Mary finds herself at the centre of a public scandal and the family faces financial trouble, the entire household grapples with the threat of social disgrace. The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future.
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In war-torn Rome, Floria Tosca and Mario Cavaradossi live for each other and for their art. But when Cavaradossi helps an escaped prisoner, the lovers make a deadly enemy in the form of Baron Scarpia, Chief of Police. At the mercy of Scarpia’s twisted desires, Tosca is forced to make a horrific bargain: sleeping with the man she hates in order to save the man she loves. Can she find a way out?
Károly Makk's beloved film, based on the autobiographical writings of Tibor Déry, is a meditation on time, memory, love and loss. Two women - a bedridden mother and a loyal wife - await the return of political prisoner János. His elderly mother believes him to be working abroad; his devoted wife knows the painful truth of his absence… and fears she may never see him alive again.
Beautifully played by two giants of Hungarian cinema, Lili Darvas and Mari Törõcsik, the film is a subtle yet powerful exploration of how love sustains life, even in times of fear and uncertainty. Perfectly realised, with luminous cinematography and innovative editing, Makk’s tender masterpiece is a landmark of international cinema. In Hungarian and German with English subtitles.
Hamid (Adam Bessa) is part of a secret group pursuing the Syrian regime’s fugitive leaders. His mission takes him to France, on the trail of his former torturer whom he must confront. Based on true events. In Arabic, French, English, and Turkish with English subtitles.
"A hypnotizing Adam Bessa anchors this tale about a Syrian refugee living in France who believes he has found the man who tortured him." Beatrice Loayza, The New York Times
Nadine Sierra stars as Amina in The Metropolitan Opera's new production of Bellini’s poignant tale of love lost and found, directed by Rolando Villazón.
Five-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw’s incendiary moral classic.
Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune – but at what cost?
Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, GOOD), exploring the clash between morality and independence, traditions, and progress.