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We are pleased to take part in this years Nithraid, the annual sail and row boat race and festival held just outside the RBC each August, with a debut documentary screening by locally born filmmaker Glenda Rome.
The film delves into geopoetics, a philosophy developed by Scottish poet and thinker Kenneth White, which emphasizes a deep connection between the mind, language, and the living world.
Lecturer in Environmental Humanities at the University of Glasgow’s Dumfries Campus, David Borthwick, will lead an informal discussion following the screening, touching on Geopoetics and the ways in which the film depicts landscape and ecology.
About the Director: Glenda is a Scottish filmmaker, originally from Dumfriesshire, whose cinematic work bridges art, environmental and human connection. For over two decades she has worked internationally on documentaries and community projects — from collaborating with Indigenous communities in the Ecuadorian rainforest and Iñupiat people in Alaska, to helping young and under-represented voices tell their own stories through film.
In his wildly popular Broadway show American Utopia, David Byrne delivers an exhilarating rush of iconic songs, infectious energy and pure theatrical joy. Following the huge big-screen success of Stop Making Sense, and with Byrne returning to the UK this summer including a headline appearance at Latitude Festival, Spike Lee transforms the celebrated production into an electrifying cinematic experience bursting with astounding performances, inventive choreography and political urgency.
Flowing like an iridescent dream vision, the film fuses work by James Baldwin, Janelle Monáe and Kurt Schwitters with exhilarating renditions of Byrne’s solo work and Talking Heads classics.
Joyous, urgent and utterly crowd-pleasing, Byrne and his co-performers light up the screen and burn down the house.
The 50th Anniversary of punk is being celebrated with a new documentary from internationally renowned producer/director Danny Garcia - also responsible for recent docs on Stiv Bators, Sid Vicious, Johnny Thunders and The Fuzztones and last year's The Rise and Fall of The Clash Redux - Vive Le Punk focuses on four bands formed during the glory days of punk - Sham 69, 999, Ruts DC and The Boys - and still carrying the torch five decades on.
Featuring new and revealingly candid interviews with all the bands as well as punk icons Charlie Harper, Dr. John Cooper Clarke, Gaye Advert and other noted punk luminaries, the film examines the history of the scene and discusses the meaning and purpose of punk today.
In the 72 hours leading up to D-Day, all the pieces are in place except for one key element – the British weather. Britain’s chief meteorological officer James Stagg (Andrew Scott) is called upon to deliver the most consequential forecast in history, locking him into a tense standoff with the entire Allied leadership. The wrong conditions could devastate the largest ever seaborne invasion, while any delay risks German intelligence catching on.
With only his trusted aide Captain Kay Summersby (Kerry Condon) to confide in, and haunted by a catastrophic D-Day rehearsal, the final decision rests with Supreme Allied Commander Dwight D. Eisenhower (Brendan Fraser). With only hours to go, the fate of the war and the lives of millions hang in the balance.
Bitter Christmas is the latest film from iconic director Pedro Almodóvar. The Spanish language drama tells two alternating stories, one starring Elsa, an advertising director, in 2004, during a long weekend in December. The second takes place in 2026 and stars Raúl, a screenwriter and director who is writing a script that we soon discover is the story of Elsa, her boyfriend Bonifacio, and her friends Patricia and Natalia. Mixed with fiction, Elsa is, in a way, Raúl's alter ego, who, like him, resorts to autofiction as a solution to a long period of creative drought. He looks inside himself, and he can't help but also look at the people who make up his most intimate universe: his partner and his assistant. The film narrates the close relationship between reality and fiction, between inspiration and life, exploring the limits of autofiction and stories within stories. In Spanish with English subtitles.
Amanda and her stepfather Martin struggle with a moral issue that divides them. Has Amanda’s mother, Leslie, who is experiencing advanced dementia, lost the ability to make critical decisions in her own best interest? If so, who is responsible – a spouse, a child, an institution – for making such a determination? As Amanda and Martin are forced to make increasingly difficult choices, the repercussions spiral out of their control. In French and English with some subtitles in English.
Winner of 8 Tony Awards including Best Musical and the Grammy Award for Best Musical Theater Album, HADESTOWN: THE MUSICAL is the genre-defying musical blending modern American folk music with New Orleans-inspired jazz to reimagine a sweeping ancient tale of two intertwining love stories, that of young dreamers Orpheus and Eurydice, and King Hades and his wife Persephone. Filmed live on stage in London’s West End and featuring the original Broadway stars, HADESTOWN: THE MUSICAL invites audiences on a hell-raising journey to the underworld and back.
Recorded live and not a live broadcast.
The great Willem Dafoe lends his delicate gravitas to the role of Ed Saxberger, a forgotten New York poet who works in the post office. After an eager and flattering young admirer (Edmund Donovan) appears on his doorstep, Saxberger is beckoned into a coterie of twentysomething admirers who anoint him as a rediscovered genius. Intoxicated by the attention—and by the alluring presence of Gloria, the group’s “tragic heroine” (a sinuous, Kurt Weill–crooning Greta Lee)—Saxberger gradually reckons with the authenticity of his newfound poetic circle. This thoughtful, witty second feature from Kent Jones (Diane), working from a sly and hugely entertaining script by Oscar-nominated screenwriter Samy Burch (May December), is a wistful yet unromantic look at a lost idea of downtown New York.
The ever popular French Film Festival returns to the RBC with a classic thriller from 1995. France’s master of suspense, Claude Chabrol, relishes every malevolent, icily controlled shot of this perfectly constructed thriller, right up to its terrifying, violent climax.
Adapted from Ruth Rendell's classic thriller, A Judgement in Stone, Chabrol transposes it to a remote French village. This iconic film has left a lasting mark on the cinematic landscape. Its influence transcends borders, shaping contemporary masterpieces like Bong Joon-Ho’s Parasite. In French with English subtitles.
"Creates a palpable sense of unease that fully justifies the shockingly violent finale." - Time Out
An unforgettable road trip across Europe, from the Atlantic to Istanbul… Director Mathias Mlekuz stars in a fictionalised version of the real-life bike pilgrimage he took with his co-star and actor friend Philippe Rebbot. They travel from the west coast of France to Istanbul to pay homage to Mathias’ son Youri after his untimely and shocking death.
Filled with moments of intense emotions and occasionally bursting with laughter, this journey becomes an opportunity for these two friends to explore their friendship and pay tribute to Youri’s memory. Audience Award, best director and best music at Angoulême Francophone Film Festival 2024. In French with English subtitles.
"Bittersweet middle-aged bromance." The Guardian
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