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29 November
Living (12A)
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30 November
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We are pleased to take part in this years Nithraid, the annual sail and row boat race and festival held just outside the RBC each August, with a debut documentary screening by locally born filmmaker Glenda Rome.
The film delves into geopoetics, a philosophy developed by Scottish poet and thinker Kenneth White, which emphasizes a deep connection between the mind, language, and the living world.
Lecturer in Environmental Humanities at the University of Glasgow’s Dumfries Campus, David Borthwick, will lead an informal discussion following the screening, touching on Geopoetics and the ways in which the film depicts landscape and ecology.
About the Director: Glenda is a Scottish filmmaker, originally from Dumfriesshire, whose cinematic work bridges art, environmental and human connection. For over two decades she has worked internationally on documentaries and community projects — from collaborating with Indigenous communities in the Ecuadorian rainforest and Iñupiat people in Alaska, to helping young and under-represented voices tell their own stories through film.
In his wildly popular Broadway show American Utopia, David Byrne delivers an exhilarating rush of iconic songs, infectious energy and pure theatrical joy. Following the huge big-screen success of Stop Making Sense, and with Byrne returning to the UK this summer including a headline appearance at Latitude Festival, Spike Lee transforms the celebrated production into an electrifying cinematic experience bursting with astounding performances, inventive choreography and political urgency.
Flowing like an iridescent dream vision, the film fuses work by James Baldwin, Janelle Monáe and Kurt Schwitters with exhilarating renditions of Byrne’s solo work and Talking Heads classics.
Joyous, urgent and utterly crowd-pleasing, Byrne and his co-performers light up the screen and burn down the house.
Filmed at the National Galleries of Scotland during the 2025 retrospective, ‘Andy Goldsworthy: 50 Years’, this film captures a dialogue between artist Andy Goldsworthy and art historian, author, and broadcaster Andrew Graham Dixon.
The documentary offers a look behind the scenes of Goldsworthy’s largest and most ambitious indoor exhibition. Surrounded by new installations created specifically for the show, the pair explore the core environmental philosophies, fleeting natural materials, and creative ideas that have defined the artist's extraordinary half-century career.
There will be a Q & A Session with Andrew Graham-Dixon after the film.
In the seedy underbelly of 18th-century Paris, money is king. Nothing is sacred – even love itself can be bought for the right price. A native of this hedonistic underworld, Manon is caught between twin desires when she falls in love with the student Des Grieux. Steadfast and devoted, he offers the possibility of an honourable life. Yet, the riches promised by the world of Parisian society remain tempting...
Manon’s inner turmoil and struggle for survival lie at the devastating heart of Kenneth MacMillan’s 1974 adaptation of Abbé Prévost’s novel. In this signature work of The Royal Ballet, MacMillan’s nuanced understanding of human psychology makes for an unflinching look into the moral degradation of Manon’s Paris, while all its decadence and decay are brought to life through Jules Massenet’s score and Nicholas Georgiadis’s designs.
Under the oppressive heat of the Spanish sun, the fiercely independent Carmen attracts the attention of Don José. She warns him not to fall in love with her, but his obsession knows no bounds. Damiano Michieletto’s searing production returns, casting scorching light on the lust, violence and destructive desire of Bizet’s ever-popular opera.
An all-star cast brings this white-hot drama to life, with Ginger Costa-Jackson in the fiery title role, alongside Russell Thomas as the jealous and despairing Don José. Following his 2023 Royal Opera debut, Sesto Quatrini returns to conduct Bizet’s electrifying and sensual score.