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27 September
Wee Film Club (U) | Clermont-Ferrand: Short Films for the Family *POSTPONED*
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29 September
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When an unexpected and ruthless adversary strikes too close to home, Kara Zor-El (Milly Alcock), aka Supergirl, reluctantly joins forces with an unlikely companion on an epic, interstellar journey of vengeance and justice. Based on the acclaimed comic run Supergirl: Woman of Tomorrow, Kara teams up with Eve Ridley’s Ruthye Marye Knoll to track down Matthias Schoenaerts’ rampaging villain, Krem of the Yellow Hills, who killed Ruthye’s father. DC fan favourite mercenary Lobo, played by Jason Momoa, and of course Superman (David Corenswet) himself, are both back in Supergirl’s intergalactic adventures on a vengeful quest; and this time Krypto's life is on the line.
Set on Vancouver Island in the late 1990s, Blue Heron follows eight‑year‑old Sasha and her Hungarian immigrant family as they attempt to build a new life, only to be destabilised by the increasingly dangerous behaviour of her older brother, Jeremy. Drawing on her own memories, filmmaker Sophy Romvari shapes a deeply personal portrait of childhood, family fractures, and the fragility of recollection.
“Exquisite and luminous” — ★★★★★ Radio Times
“Contemporary cinematic works like this are only made possible when the stars align” — Little White Lies
“One of the year’s very best films” — IndieWire
‘Do we get stupider as we grow up?’ In his wildly popular Broadway show American Utopia, David Byrne reflects on human connections, life and how on earth we work through it. He joins the dots with his music and it all starts making sense. Spike Lee here transforms the production into immersive, dynamic cinema that radiates with astounding performances, inventive contemporary dance and political urgency. American Utopia flows like an iridescent dream vision. Work by James Baldwin, Janelle Monáe and Kurt Schwitters is highlighted among exhilarating renditions of Byrne’s solo work, as well as Talking Heads classics.
According to the multi-hyphenate, we love looking at humans more than anything else. Anti-fascist and anti-racist, Byrne illuminates our responsibility to care for one another as he and his co-performers burn down the house.
"A flat-out masterpiece" - Rolling Stone
"An outstanding collaboration between two essential artists" - Vanity Fair
"Simply spectacular... a masterclass in musicianship" - The Hollywood Reporter
"Should be required viewing for everyone... magical" - Uproxx
"One of the best movies of its kind... Grade: A" - Indiewire
This year, André Rieu celebrates a spectacular milestone — the 20th anniversary of his iconic summer concerts on the magnificent Vrijthof square. Captured live in his beloved hometown, this brand-new cinema event marks two decades of music and unforgettable magical summer nights.
Viva Maastricht! is a joyful tribute to the city where it all began. Joined by his world renowned Johann Strauss Orchestra and a vibrant ensemble of artists, André brings the spirit, culture, and warmth of his hometown to life in a dazzling new concert filled with emotion and wonder. From timeless waltzes to soul-stirring classics, this landmark anniversary concert promises an evening of passion, joy, and togetherness. Be part of this historic celebration as the Vrijthof once again transforms into a breathtaking open-air ballroom — only in cinemas this summer. 165m (includes one 15 minute interval)
It's a BRAND NEW DAY for Peter Parker. Fighting crime full-time as Spider-Man in a world that doesn’t remember him -- and the pressure of seeing his old friends move on without him -- sparks a change in Peter he may not have the power to control. But that transformation might also be the only thing that can stop a shocking new threat to the city and those he loves - a powerful villain no one can even see.
The world may have forgotten Peter Parker, but he hasn’t forgotten them.
The Monday Night Film Club returns with a classic drama from Hungarian director István Szabó, the Oscar®-winning director of Mephisto, Hanussen and Being Julia.
Set in Hungary in the years following the end of WW2, a young boy concocts a fantasy ideal of his father who has been killed in the war. In the boy's fertile imagination, the father attains mythical and heroic qualities. Szabó's poignant cinematic ode, combining humour with a poetic nostalgia, relates historical events through the prism of personal experience, producing a film of extraordinary warmth, intimacy and power. Chosen by Hungarian critics and writers as one of the best Hungarian films of all time, Father also boasts luminous monochrome cinematography by the great Sándor Sára. In black and white | In Hungarian with English subtitles.
"Szabó's superb second feature, a major prizewinner at the time... shot and edited with all the effervescent brio of early Truffaut" Michael Brooke, MovieMail
"A beautiful study of the need for heritage... Szabó has told his story on two levels that complement each other magnificently" The New York Times
Award-winner Sandra Oh (Killing Eve) plays the title role in this razor-sharp reimagining of Molière’s classic dark comedy.
Telling the truth isn’t always that simple. Alice, a brilliant novelist, despises the carefully constructed lies of modern society. But the more she challenges those around her, the fiercer the backlash becomes. Soon, she must confront the price of speaking her truth in a world that would rather silence her.
This title will be recorded in advance of its release and will be filmed in front of a live audience.
Angela Bowling feeds an abandoned bird with the finest cakes and sweets, making him grow bigger and bigger.
Join us for a special screening of Hal Ashby's black comedy for the 20th Anniversary of the Monday Night Film Club. Originally called Talk Cinema the film + discussion evening was the brainchild of film lecturer Darren Connor. Darren passed away at the very young age of 40 after a charity cycle ride in June 2011. We'll be paying tribute to Darren and we'll also hear from past and present Film Club customers.
The 1971 cult classic pairs Bud Cort as a dead-pan disillusioned 20-year-old obsessed with suicide and a lovable Ruth Gordon (“I’ll never understand this mania for black”) as a fun-loving 80-year-old eccentric. They meet at a funeral, and develop a taboo romantic relationship, in which they explore the tired theme of the meaning of life with a fresh perspective.
In the seedy underbelly of 18th-century Paris, money is king. Nothing is sacred – even love itself can be bought for the right price. A native of this hedonistic underworld, Manon is caught between twin desires when she falls in love with the student Des Grieux. Steadfast and devoted, he offers the possibility of an honourable life. Yet, the riches promised by the world of Parisian society remain tempting...
Manon’s inner turmoil and struggle for survival lie at the devastating heart of Kenneth MacMillan’s 1974 adaptation of Abbé Prévost’s novel. In this signature work of The Royal Ballet, MacMillan’s nuanced understanding of human psychology makes for an unflinching look into the moral degradation of Manon’s Paris, while all its decadence and decay are brought to life through Jules Massenet’s score and Nicholas Georgiadis’s designs.