Top Gun: Maverick (12A) | RBCFT Film of the Year
- RBC Film Theatre Mill Road Dumfries, Scotland, DG2 7BE United Kingdom (map)
Click on film title below for more info.
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If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you? This summer, the truth belongs to seven billion people. We are coming close to … Disclosure Day.
How to Live on Earth is a visionary feature documentary that explores our vital connection to nature and its role in our future. Presented by Benedict Cumberbatch, this ultimate ‘how-to guide’ features inspirational, cutting-edge stories and powerful cinematography from around the world to reveal how humans are learning to team up with nature to solve our biggest challenges. Heart-warming, entertaining, energising, the film presents a hopeful vision of a future within reach – one in which nature thrives, and so do we.
Get ready for the ultimate rock experience as Bat Out of Hell - The Musical returns to the RBC!
The cast of the West End production will bring Jim Steinman and Meat Loaf’s iconic anthems to life, including I’d Do Anything For Love (But I Won’t Do That), Paradise By The Dashboard Light, Two Out of Three Ain’t Bad, Dead Ringer For Love, and, of course, Bat Out of Hell.
Bat out of Hell -The Musical promises a spectacle that will leave you breathless! This heart-pounding experience, with a powerhouse eight-piece live band on stage, delivers a new production with sprawling multi-level platforms to transport you from Raven’s bedroom to the underground world of the Lost in a visual feast that pushes the boundaries of live theatre.
Recorded live and not a live broadcast.
When an unexpected and ruthless adversary strikes too close to home, Kara Zor-El (Milly Alcock), aka Supergirl, reluctantly joins forces with an unlikely companion on an epic, interstellar journey of vengeance and justice. Based on the acclaimed comic run Supergirl: Woman of Tomorrow, Kara teams up with Eve Ridley’s Ruthye Marye Knoll to track down Matthias Schoenaerts’ rampaging villain, Krem of the Yellow Hills, who killed Ruthye’s father. DC fan favourite mercenary Lobo, played by Jason Momoa, and of course Superman (David Corenswet) himself, are both back in Supergirl’s intergalactic adventures on a vengeful quest; and this time Krypto's life is on the line.
‘Do we get stupider as we grow up?’ In his wildly popular Broadway show American Utopia, David Byrne reflects on human connections, life and how on earth we work through it. He joins the dots with his music and it all starts making sense. Spike Lee here transforms the production into immersive, dynamic cinema that radiates with astounding performances, inventive contemporary dance and political urgency. American Utopia flows like an iridescent dream vision. Work by James Baldwin, Janelle Monáe and Kurt Schwitters is highlighted among exhilarating renditions of Byrne’s solo work, as well as Talking Heads classics.
According to the multi-hyphenate, we love looking at humans more than anything else. Anti-fascist and anti-racist, Byrne illuminates our responsibility to care for one another as he and his co-performers burn down the house.
"A flat-out masterpiece" - Rolling Stone
"An outstanding collaboration between two essential artists" - Vanity Fair
"Simply spectacular... a masterclass in musicianship" - The Hollywood Reporter
"Should be required viewing for everyone... magical" - Uproxx
"One of the best movies of its kind... Grade: A" - Indiewire
It's a BRAND NEW DAY for Peter Parker. Fighting crime full-time as Spider-Man in a world that doesn’t remember him -- and the pressure of seeing his old friends move on without him -- sparks a change in Peter he may not have the power to control. But that transformation might also be the only thing that can stop a shocking new threat to the city and those he loves - a powerful villain no one can even see.
The world may have forgotten Peter Parker, but he hasn’t forgotten them.
At a cosy Christmas party, young Clara meets the mysterious magician Drosselmeyer, who gives her a nutcracker doll. When the guests have departed and the house is asleep, Clara sneaks downstairs in search of the doll. Instead, she finds Drosselmeyer, who whisks her away on a journey into a whole world of enchantment: fantastical landscapes of flurried snow and glittering confection where toys come alive and the magic never stops.
Peter Wright’s production of this festive family favourite sparkles to the wondrous swell of Tchaikovsky’s orchestral score, alongside the glow and grandeur of Julia Trevelyan Oman’s period designs.
Based on the books by Raymond Briggs. A loveable grumpy Father Christmas and a story about what he does the other 364 days of the year.
