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OASIS: DON’T LOOK BACK IN ANGER charts Liam and Noel Gallagher’s triumphant reunion tour, Oasis Live ‘25, one of the most anticipated rock ‘n’ roll comebacks of our time. The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world. The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.
"OASIS: DON’T LOOK BACK IN ANGER contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.”
Premature is a contemporary Scottish rom-com, shot and set in Glasgow, about two flatmates whose impulsive one-night stand leads to an unexpected pregnancy.
When meticulous, career-obsessed Cameron (James Rottger) discovers his aimless flatmate Eilidh (Elle Watson) is pregnant after their drunken one-night stand, both assume there is an obvious way out. But when Eilidh finds she cannot go through with the termination, the pair are forced into an awkward, absurd and increasingly intimate attempt at preparing for parenthood. As they stumble into something that looks suspiciously like a relationship, they begin to question the lives they thought they wanted and what they really mean to each other.
Shot over 23 days in Glasgow and on a budget of just £16,000 Premature is director Kevin Walls’ debut feature film. We are delighted to welcome Kevin for a post-film Q&A.
The Monday Night Film Club returns with a classic drama from Hungarian director István Szabó, the Oscar®-winning director of Mephisto, Hanussen and Being Julia.
Set in Hungary in the years following the end of WW2, a young boy concocts a fantasy ideal of his father who has been killed in the war. In the boy's fertile imagination, the father attains mythical and heroic qualities. Szabó's poignant cinematic ode, combining humour with a poetic nostalgia, relates historical events through the prism of personal experience, producing a film of extraordinary warmth, intimacy and power. Chosen by Hungarian critics and writers as one of the best Hungarian films of all time, Father also boasts luminous monochrome cinematography by the great Sándor Sára. In black and white | In Hungarian with English subtitles.
"Szabó's superb second feature, a major prizewinner at the time... shot and edited with all the effervescent brio of early Truffaut" Michael Brooke, MovieMail
"A beautiful study of the need for heritage... Szabó has told his story on two levels that complement each other magnificently" The New York Times
Award-winner Sandra Oh (Killing Eve) plays the title role in this razor-sharp reimagining of Molière’s classic dark comedy.
Telling the truth isn’t always that simple. Alice, a brilliant novelist, despises the carefully constructed lies of modern society. But the more she challenges those around her, the fiercer the backlash becomes. Soon, she must confront the price of speaking her truth in a world that would rather silence her.
This title will be recorded in advance of its release and will be filmed in front of a live audience.
The 50th Anniversary of punk is being celebrated with a new documentary from internationally renowned producer/director Danny Garcia - also responsible for recent docs on Stiv Bators, Sid Vicious, Johnny Thunders and The Fuzztones and last year's The Rise and Fall of The Clash Redux - Vive Le Punk focuses on four bands formed during the glory days of punk - Sham 69, 999, Ruts DC and The Boys - and still carrying the torch five decades on.
Featuring new and revealingly candid interviews with all the bands as well as punk icons Charlie Harper, Dr. John Cooper Clarke, Gaye Advert and other noted punk luminaries, the film examines the history of the scene and discusses the meaning and purpose of punk today.
Bob Fosse's classic film is screening as part of this year’s Dumfries Pride (taking place 14 - 20 September).
Cabaret brings 1931 Berlin to life inside and outside the Kit Kat Klub. There, starry eyed American Sally Bowles (Liza Minelli) and an impish emcee (Joel Grey) sound the call for decadent fun, while in the street the Nazi party is beginning to grow into a brutal political force. Into this heady world arrives British language teacher Brian Roberts (Michael York) who falls for Sally's charm and soon, the two of them find themselves embroiled the turmoil and decadence of the era.
There will be no adverts or trailers with this screening.
A multi generational family of witches, cursed to be loveless for centuries, attempts to break the spell by confronting dark secrets and sacrificing for each other.
Starring Sandra Bullock and Nicole Kidman, Practical Magic 2 returns to a world steeped in moonlit mischief and powerful ancestral magic, as the Owens sisters must confront the dark curse that threatens to unravel their family once and for all in a must-see cinematic event of fun, magic and mayhem.
After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
“Everything is a remake of a remake, Schoenbrun tells us, but Miasma is an utterly unique, exhilaratingly entertaining vision, both blood-drenched and beautiful” 5/5 Empire Magazine
Angela Bowling feeds an abandoned bird with the finest cakes and sweets, making him grow bigger and bigger.
Join us for a special screening of Hal Ashby's black comedy for the 20th Anniversary of the Monday Night Film Club. Originally called Talk Cinema the film + discussion evening was the brainchild of film lecturer Darren Connor. Darren passed away at the very young age of 40 after a charity cycle ride in June 2011. We'll be paying tribute to Darren and we'll also hear from past and present Film Club customers.
The 1971 cult classic pairs Bud Cort as a dead-pan disillusioned 20-year-old obsessed with suicide and a lovable Ruth Gordon (“I’ll never understand this mania for black”) as a fun-loving 80-year-old eccentric. They meet at a funeral, and develop a taboo romantic relationship, in which they explore the tired theme of the meaning of life with a fresh perspective.
In an era of great change and great beauty emerged the character of James McNeill Whistler. Considered by some to be one of the great innovators of 19th century art, he was a contemporary of the Impressionists, much admired by Van Gogh and Manet. Boldly experimental and famously witty, Whistler disrupted the strict conventions of Victorian society in pursuit of a new cult of beauty, creating “art for art’s sake” and earning himself a place in the history of great art. He found a parallel between painting and music, and entitled many of his paintings “arrangements”, “harmonies” and “nocturnes”, emphasizing the importance of tonal harmony in his work.
His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler’s Mother, is a revered and often parodied portrait of motherhood. It is arguably one of the most famous paintings in history and this film will unveil the artist behind the art.
Tate Britain is now holding the first major retrospective of Whistler in three decades. This blockbuster exhibition promises to reawaken the world to just how important Whistler is to art history, uniting world-famous masterpieces with rarely seen works. Exhibition on Screen will bring these stunning works and the incredible story behind them to cinemas around the world while the exhibition is still running, bringing this truly global artist to a global audience. This will be an unmissable chance to get to know this visually spectacular artist and the influence he has had on those who followed.
Made in close collaboration with Tate Britain.
A multi generational family of witches, cursed to be loveless for centuries, attempts to break the spell by confronting dark secrets and sacrificing for each other.
Starring Sandra Bullock and Nicole Kidman, Practical Magic 2 returns to a world steeped in moonlit mischief and powerful ancestral magic, as the Owens sisters must confront the dark curse that threatens to unravel their family once and for all in a must-see cinematic event of fun, magic and mayhem.
When the British colonised Kenya, they took control of prime tea-growing land that still supplies the global market today. As a local Kenyan journalist investigates a legal battle over stolen ancestral land, dark secrets are exposed and ongoing abuses on plantations run by major multinationals become clear. Set against the richness of the landscape, Kikuyu Land is a poetic, stunningly cinematic dive into a complex legacy that refuses to stay buried.
Presented in partnership with Dumfries Fairtrade to mark Fairtrade Fortnight. Followed by comments on the Fairtrade standards for tea and informal discussions over cups of tea.
Maria, a primary school teacher doing her best to inspire a class of 10-year-olds, is stifled by one unruly and chaotic student. With her career in question and the child's behaviour spiralling, she makes a series of bad decisions that lead to her accidentally taking and locking this "bad apple" in her home. Maria tries desperately to backtrack, but when the class starts flourishing and the staff and parents are thrilled with the improvement, she finds herself in a very complicated predicament.
Bitter Christmas is the latest film from iconic director Pedro Almodóvar. The Spanish language drama tells two alternating stories, one starring Elsa, an advertising director, in 2004, during a long weekend in December. The second takes place in 2026 and stars Raúl, a screenwriter and director who is writing a script that we soon discover is the story of Elsa, her boyfriend Bonifacio, and her friends Patricia and Natalia. Mixed with fiction, Elsa is, in a way, Raúl's alter ego, who, like him, resorts to autofiction as a solution to a long period of creative drought. He looks inside himself, and he can't help but also look at the people who make up his most intimate universe: his partner and his assistant. The film narrates the close relationship between reality and fiction, between inspiration and life, exploring the limits of autofiction and stories within stories. In Spanish with English subtitles.