Former footballer and present private detective Harry Moseby gets hired on to what seems a standard missing person case, as an aging Hollywood actress whose only major roles came thanks to being married to a studio mogul wants Moseby to find and return her stepdaughter. Harry travels to Florida to find her, but he begins to see a connection with the runaway girl, the world of Hollywood stuntmen, and a suspicious mechanic when an unsolved murder comes to light.

Starring Gene Hackman and Melanie Griffiths in her film debut, Night Moves was written by Scottish screenwriter Alan Sharp. Sharp was one of Scotland’s greatest screenwriters and one of its most important transnational writers. The adopted son of a Greenock shipyard worker, he became a bestselling novelist, a leading playwright, a record-breaking Hollywood screenwriter and the central figure of a new Scottish national film industry. Today, however, his books, television plays and screenplays are forgotten. Come and see Night Moves as part of our Power, Corruption and Lies on Film season, a film that, like Sharp, is little known, seriously under-rated and deserves to be revalued.

With guest introduction by RBC customer Gerron Stewart.

A leading member of the French New Wave, who came to be regarded as the 'French Hitchcock', for many years Claude Chabrol's classic thrillers have been missing from UK screens. A mid-career masterpiece within Chabrol's remarkable run of bourgeois psychological thrillers, La Femme infidèle traces the fallout following a husband’s discovery of his wife’s affair and his quiet, unnerving and devastating act of revenge. In French with English subtitles.

La Femme infidèle is part of the Power, Corruption and Lies on Screen Season, a themed run of films exploring how power can be misused, how corruption develops, and how truth can be manipulated. Alongside classics like The Big Sleep and All the President's Men the season brings together three of Chabrol’s most disturbing works, from La Femme infidèle, 1970's impeccable Le Boucher and 1995's La Cérémonie (based on Ruth Rendell's novel A Judgement in Stone), these are thrillers which explore moral, rather than political, corruption and where polite society and dark secrets entwine to murderous effect.

A private investigator uncovers a conspiracy that reaches from municipal planning to the very foundations of power in Los Angeles. Widely regarded as one of the greatest films ever made, Chinatown is a defining statement on corruption—where truth is elusive, justice is compromised, and power always wins. Chinatown was nominated for 11 Academy Awards at the 47th Academy Awards (1975), tying for the most nominations that year but won only Best Original Screenplay for screenwriter Robert Towne.

The Power, Corruption and Lies on Screen Season is a themed run of films exploring how power can be misused, how corruption develops, and how truth can be manipulated.

A leading member of the French New Wave, who came to be regarded as the 'French Hitchcock', for many years Claude Chabrol's classic thrillers have been missing from UK screens. Chabrol’s most celebrated and sinister film sees a tender friendship between a schoolteacher and local butcher darken as a series of murders unsettles life in their village. In French with English subtitles.

Le Boucher is part of the Power, Corruption and Lies on Screen Season, a themed run of films exploring how power can be misused, how corruption develops, and how truth can be manipulated. Alongside classics like The Big Sleep and All the President's Men the season brings together three of Chabrol’s most disturbing works, from 1969's La Femme infidèle and 1995's La Cérémonie (based on Ruth Rendell's novel A Judgement in Stone), these are thrillers which explore moral, rather than political, corruption and where polite society and dark secrets entwine to murderous effect.

Carl Reiner's comedy-mystery stars Steve Martin as private detective Rigby Reardon who is hired by Juliet Forrest (Rachel Ward) to investigate the death of her father, a scientist who was working on a mysterious project. As the case unfolds, Reardon encounters Nazis, espionage, murder and a bizarre plot involving mind control.

Masterfully incorporating clips from classic noir films, digitally inserting Steve Martin into scenes with legendary actors such as Humphrey Bogart, Barbara Stanwyck, Burt Lancaster, Ava Gardner, James Cagney and Ingrid Bergman, the film is both a loving tribute to and a parody of 1940s film noir. 

A playful but precise homage to classic noir, Carl Reiner’s film creates a detective story built from cinema itself. Beneath the humour lies an affectionate critique of noir tropes—reminding us that even the myths we tell ourselves about crime, power and truth are constructed.

There are no adverts or trailers with this screening.

In 1960, sixteen newly independent African countries enter the United Nations, a political earthquake that shifts the majority vote from the colonial powers to the global south. Congo becomes the arena in which the battle over the UN is fought. As Nikita Khrushchev pounds his shoe at the UN-top in reaction to the neo-colonial grab of the resources of newly independent Congo, UN delegates from African Countries are blackmailed. In an incredulous twist Patrice Lumumba’s assassination unites the Afro-Asian block, demanding the UN General Assembly to vote for immediate worldwide decolonization.

Jazz and decolonisation fuse in this upbeat historical rollercoaster, set through a quartet of voices from an activist, a diplomat, a writer and a world leader. Starring Louis Armstrong, Dizzy Gillespie, Abbey Lincoln, Max Roach, Nina Simone, Miriam Makeba, John Coltrane, Duke Ellington, Charles Mingus, Malcolm X and Nikita Khrushchev, and many more. In Dutch, English, Russia, French and Arabic with English subtitles.

Part of the Power, Corruption and Lies on Screen Season, a themed run of films exploring how power can be misused, how corruption develops, and how truth can be manipulated. Soundtrack to a Coup d'Etat exposes how political power is exercised behind the scenes, and how governments, corporations and international institutions manipulate events for their own interests.

To ruin a western town, a corrupt political boss appoints a black sheriff, who promptly becomes his most formidable adversary.

An odd choice for the Power, Corruption and Lies season but Mel Brooks’ audacious satire provides a fitting end to the season. Dismantling authority, genre conventions and social hierarchies through anarchic comedy, Blazing Saddles exposes the absurdity at the heart of power. After a season of secrets and corruption, laughter becomes its own form of resistance. 

Contains mouthed strong language, moderate sex references and racist terms.