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24 November
Fatherland (12A) | Tuesday Night Film Club
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29 November
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Raised on a remote Scottish island, oddball siblings spend their days hunting, squabbling and telling stories. But when nervy council official arrives on the island intent on moving them along, the pair must wrestle with the threat and exciting possibilities of the mainland. Crammed with intriguingly strange characters and performed with aplomb by a wonderful cast, this terrific debut from director Louis Paxton fuses surreal humour, warmth and pathos. A delightful and moving comedy about loneliness, connection and the unknown.
Premature is a contemporary Scottish rom-com, shot and set in Glasgow, about two flatmates whose impulsive one-night stand leads to an unexpected pregnancy.
When meticulous, career-obsessed Cameron (James Rottger) discovers his aimless flatmate Eilidh (Elle Watson) is pregnant after their drunken one-night stand, both assume there is an obvious way out. But when Eilidh finds she cannot go through with the termination, the pair are forced into an awkward, absurd and increasingly intimate attempt at preparing for parenthood. As they stumble into something that looks suspiciously like a relationship, they begin to question the lives they thought they wanted and what they really mean to each other.
Shot over 23 days in Glasgow and on a budget of just £16,000 Premature is director Kevin Walls’ debut feature film. We are delighted to welcome Kevin for a post-film Q&A.
After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
“Everything is a remake of a remake, Schoenbrun tells us, but Miasma is an utterly unique, exhilaratingly entertaining vision, both blood-drenched and beautiful” 5/5 Empire Magazine
Join us for a special screening of Hal Ashby's black comedy for the 20th Anniversary of the Monday Night Film Club. Originally called Talk Cinema the film + discussion evening was the brainchild of film lecturer Darren Connor. Darren passed away at the very young age of 40 after a charity cycle ride in June 2011. We'll be paying tribute to Darren and we'll also hear from past and present Film Club customers.
The 1971 cult classic pairs Bud Cort as a dead-pan disillusioned 20-year-old obsessed with suicide and a lovable Ruth Gordon (“I’ll never understand this mania for black”) as a fun-loving 80-year-old eccentric. They meet at a funeral, and develop a taboo romantic relationship, in which they explore the tired theme of the meaning of life with a fresh perspective.
In an era of great change and great beauty emerged the character of James McNeill Whistler. Considered by some to be one of the great innovators of 19th century art, he was a contemporary of the Impressionists, much admired by Van Gogh and Manet. Boldly experimental and famously witty, Whistler disrupted the strict conventions of Victorian society in pursuit of a new cult of beauty, creating “art for art’s sake” and earning himself a place in the history of great art. He found a parallel between painting and music, and entitled many of his paintings “arrangements”, “harmonies” and “nocturnes”, emphasizing the importance of tonal harmony in his work.
His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler’s Mother, is a revered and often parodied portrait of motherhood. It is arguably one of the most famous paintings in history and this film will unveil the artist behind the art.
Tate Britain is now holding the first major retrospective of Whistler in three decades. This blockbuster exhibition promises to reawaken the world to just how important Whistler is to art history, uniting world-famous masterpieces with rarely seen works. Exhibition on Screen will bring these stunning works and the incredible story behind them to cinemas around the world while the exhibition is still running, bringing this truly global artist to a global audience. This will be an unmissable chance to get to know this visually spectacular artist and the influence he has had on those who followed.
Made in close collaboration with Tate Britain.
Maria, a primary school teacher doing her best to inspire a class of 10-year-olds, is stifled by one unruly and chaotic student. With her career in question and the child's behaviour spiralling, she makes a series of bad decisions that lead to her accidentally taking and locking this "bad apple" in her home. Maria tries desperately to backtrack, but when the class starts flourishing and the staff and parents are thrilled with the improvement, she finds herself in a very complicated predicament.
A friend of small-town detective John Klute has disappeared. The only clue is a connection with a Manhattan call girl, Bree Daniels. Klute puts her under surveillance, gradually being drawn further into a world he's never experienced. But while Klute searches, someone is stalking Bree.
Jane Fonda took home the Academy Award for her haunting portrayal of the high-priced call girl being stalked by a psychopath. Master filmmaker Alan J. Pakula (All the President's Men, Sophie's Choice, Presumed Innocent) directed this romantic detective-thriller/character study and the screenplay received an Academy Award nomination. You can see two more of Pakula's films in our Power, Corruption and Lies on Screen season, paranoia thriller The Parallax View on Thursday 15 October and a 50th anniversary screening of All the President's Men on Monday 14 December. The Power, Corruption and Lies on Screen Season is a themed run of films exploring how power can be misused, how corruption develops, and how truth can be manipulated.
On Halloween Eve at Mossy Bottom Farm, excitement turns to dismay when the clumsy Farmer ruins the pumpkin patch. Shaun tries fixing it with science experiments, but things go wrong when a wild beast appears in the woods.
Private detective Philip Marlowe is hired by a wealthy family and what seems like a straightforward case quickly spirals into a labyrinth of gambling debts, missing persons, murder, corruption and deception. Humphrey Bogart stars as PI Philip Marlowe in this classic American film noir directed by Howard Hawks. Lauren Bacall stars as Vivian Rutledge.
The Big Sleep, now 80 years old, is part of the Power, Corruption and Lies on Screen season as Hawks' brilliant noir exposes how wealth, influence and social status conceal criminality and moral decay and where every character is hiding something...
There are no adverts or trailers with this screening of The Big Sleep.
An ambitious reporter (Warren Beatty) gets in way-over-his-head trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the worlds headlines.
You can see two more of Pakula's films in our Power, Corruption and Lies on Screen season, Oscar-winning thriller Klute on Thursday 8 October and a 50th anniversary screening of All the President's Men on Monday 14 December. The Power, Corruption and Lies on Screen Season is a themed run of films exploring how power can be misused, how corruption develops, and how truth can be manipulated.
The ever popular French Film Festival returns to the RBC with a classic thriller from 1995. France’s master of suspense, Claude Chabrol, relishes every malevolent, icily controlled shot of this perfectly constructed thriller, right up to its terrifying, violent climax.
Adapted from Ruth Rendell's classic thriller, A Judgement in Stone, Chabrol transposes it to a remote French village. This iconic film has left a lasting mark on the cinematic landscape. Its influence transcends borders, shaping contemporary masterpieces like Bong Joon-Ho’s Parasite. In French with English subtitles.
"Creates a palpable sense of unease that fully justifies the shockingly violent finale." - Time Out
You can see two other films by Claude Chabrol as part of the Power, Corruption and Lies on Screen season, La Femme infidèle and Le Boucher, thrillers which explore moral, rather than political, corruption and where polite society and dark secrets entwine to murderous effect.
Gene Hackman plays Harry Caul, a paranoid, secretive surveillance expert who has a crisis of conscience when he suspects that the couple he is spying on will be murdered.
Francis Ford Coppola's brilliant paranoia thriller The Conversation was filmed in between The Godfather and The Godfather Part II and is part of our Power, Corruption and Lies on Film Season featuring a series of films based around the abuse of power, the manipulation of truth, and the consequences of secrecy.
You can also see Gene Hackman in another film in the Power, Corruption and Lies on Film season, 1975's Night Moves in which he plays a Los Angeles private investigator hired by a client to find her runaway teenage daughter only to stumble upon something much more intriguing and sinister. Thursday 29 October.
Adapted from Colleen Hoover's best-selling novel, this seductive, psychological thriller follows renowned author Verity Crawford (Anne Hathaway) and Lowen Ashleigh (Dakota Johnson), a struggling writer who relocates to the remote Crawford estate to ghostwrite for Verity. After Lowen uncovers what appears to be Verity's chilling autobiographical notes, she wrestles with the disturbing and twisted confessions about Verity’s husband Jeremy (Josh Hartnett), and finds it hard to separate fiction from reality, manipulation from attraction, and opportunity from obsession.
Adapted from Colleen Hoover's best-selling novel, this seductive, psychological thriller follows renowned author Verity Crawford (Anne Hathaway) and Lowen Ashleigh (Dakota Johnson), a struggling writer who relocates to the remote Crawford estate to ghostwrite for Verity. After Lowen uncovers what appears to be Verity's chilling autobiographical notes, she wrestles with the disturbing and twisted confessions about Verity’s husband Jeremy (Josh Hartnett), and finds it hard to separate fiction from reality, manipulation from attraction, and opportunity from obsession.
Former footballer and present private detective Harry Moseby gets hired on to what seems a standard missing person case, as an aging Hollywood actress whose only major roles came thanks to being married to a studio mogul wants Moseby to find and return her stepdaughter. Harry travels to Florida to find her, but he begins to see a connection with the runaway girl, the world of Hollywood stuntmen, and a suspicious mechanic when an unsolved murder comes to light.
Starring Gene Hackman and Melanie Griffiths in her film debut, Night Moves was written by Scottish screenwriter Alan Sharp. Sharp was one of Scotland’s greatest screenwriters and one of its most important transnational writers. The adopted son of a Greenock shipyard worker, he became a bestselling novelist, a leading playwright, a record-breaking Hollywood screenwriter and the central figure of a new Scottish national film industry. Today, however, his books, television plays and screenplays are forgotten. Come and see Night Moves as part of our Power, Corruption and Lies on Film season, a film that, like Sharp, is little known, seriously under-rated and deserves to be revalued.
With guest introduction by RBC customer Gerron Stewart.