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A bold and original imagining of one of the greatest love stories of all time, Emerald Fennell’s “WUTHERING HEIGHTS” stars Margot Robbie as Cathy and Jacob Elordi as Heathcliff, whose forbidden passion for one another turns from romantic to intoxicating in an epic tale of lust, love and madness.
After being unemployed for several years, a man devises a unique plan to secure a new job: eliminate his competition. The latest film for director Park Chan-wook (Oldboy, The Handmaiden) is a deliciously dark and sharply comedy thriller. In Korean and English with English subtitles.
Baby friendly cinema screenings are exclusively for parents or carers with babies under the age of one. Tickets are only available to purchase direct from the RBCFT or Midsteeple Box Office by phone or in person.
A bold and original imagining of one of the greatest love stories of all time, Emerald Fennell’s “WUTHERING HEIGHTS” stars Margot Robbie as Cathy and Jacob Elordi as Heathcliff, whose forbidden passion for one another turns from romantic to intoxicating in an epic tale of lust, love and madness.
This sweet and uplifting Irish road movie packs in the laughs as it follows two music loving friends take a road trip across Ireland to save their struggling record shop.
Facing an unpaid rent bill and their vicious landlord Sadie (Derry Girls’ Tara Lynne O’Neill), who’s eager to get them out of her building, the pair stumble across a deal too good to be true: rare, vintage records of blues legend Robert Johnson for sale in Cork at a knock-down price. If they can make it to the other end of Ireland in time, then maybe they could get the rare vinyl, and save the shop….
After being unemployed for several years, a man devises a unique plan to secure a new job: eliminate his competition. The latest film for director Park Chan-wook (Oldboy, The Handmaiden) is a deliciously dark and sharply comedy thriller. In Korean and English with English subtitles.
We are delighted to be showing director Gus Van Sant's latest drama as part of this year’s Glasgow Film Festival. Whilst Glasgow Film Theatre is the home of the festival the festival takes place in multiple venues across the UK. The Festival takes place 25 February to 8 March - view the full programme on their website: Glasgow Film Festival 2026
The morning of February8, 1977, Anthony G. “Tony” Kiritsis, 44, entered the office of Richard O. Hall, president of the Meridian Mortgage Company, and took him hostage with a sawed-off 12-gauge shotgun wired with a “dead man’s wire” from the trigger to the Hall’s head. This is the true story of the stand-off that took the world by storm as Tony demanded $5 million, no charges or prosecution, and a personal apology from the Halls for cheating him out of what he was “owed.”
As their marriage quietly unravels, Alex and Tess Novak find themselves at a crossroads, both collectively and individually. Facing middle age and the spectre of impending divorce, Alex seeks renewed purpose in the New York stand-up comedy scene, while Tess confronts the sacrifices she made for their family. Together, they’re forced to navigate co-parenting, shifting senses of identity and a burning question: Can love and commitment take a new form?
The story follows Will, a small goat with big dreams who gets a once-in-a-lifetime shot to join the pros and play roarball – a high-intensity, co-ed, full-contact sport dominated by the fastest, fiercest animals in the world. Will’s new teammates aren’t thrilled about having a little goat on their roster, but Will is determined to revolutionize the sport and prove once and for all that “smalls can ball!”
In 1950s New York, Marty Mauser (Timothée Chalamet) is a fast-talking, street-smart optimist, caught in a dead-end job selling shoes in his uncle’s cramped apartment. But Marty has a plan: to become a champion table tennis player, and to turn the sport into a national phenomenon – and absolutely nothing is going to stop him. A young man with a dream no one respects, Marty goes to hell and back in pursuit of greatness.
The peasant girl Giselle has fallen in love with Albrecht. When she discovers that he is actually a nobleman promised to another, she kills herself in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost.
Peter Wright’s 1985 production of this quintessential Romantic ballet is a classic of The Royal Ballet repertory. Set to Adolphe Adam’s evocative score and with atmospheric designs by John Macfarlane, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption.