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3 June
Colours of Time (15)
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Bart Schrijver’s acclaimed drama follows former best friends and roommates Chris (Bart Harder) and Lluis (Carles Pulido), who meet up after a decade to hike Scotland’s West Highland Way and Cape Wrath Trail.
Shot entirely on the route of the walk, and in chronological order, The North is a beautiful ode to friendship and the healing power of nature. It’s not only a poignant and powerful drama, but also perhaps the definitive hiking film, allowing us to take in the stunning majesty of the Highlands shoulder-to-shoulder with Lluis and Chris as they reconnect with each other and with nature.
30 years ago, the Rose of Nevada was lost at sea with all hands. When it suddenly reappears in the harbour of a rundown Cornish fishing village, it feels like a sign: if the Rose sets sail again, perhaps the village’s luck will turn. Nick (George MacKay) takes a job aboard, joined by newly arrived drifter Liam (Callum Turner). The boat and its new voyage are symbols of hope, but when Nick and Liam return from the sea, something strange has happened – instead of moving into the future, they have re-entered the past.
Bait and Enys Men director Mark Jenkin’s time-travelling odyssey is a mysterious and unconventional story of identity, grief and the vagaries of time, of people who are attuned to the present and those who are fixed in the past. Like Bait, it’s shot in 16mm (though this time in bold colour) and delights in distinctive texture and composition, with painterly touches that make it feel like a found object, a film by and of Cornwall and the sea.
30 years ago, the Rose of Nevada was lost at sea with all hands. When it suddenly reappears in the harbour of a rundown Cornish fishing village, it feels like a sign: if the Rose sets sail again, perhaps the village’s luck will turn. Nick (George MacKay) takes a job aboard, joined by newly arrived drifter Liam (Callum Turner). The boat and its new voyage are symbols of hope, but when Nick and Liam return from the sea, something strange has happened – instead of moving into the future, they have re-entered the past.
Bait and Enys Men director Mark Jenkin’s time-travelling odyssey is a mysterious and unconventional story of identity, grief and the vagaries of time, of people who are attuned to the present and those who are fixed in the past. Like Bait, it’s shot in 16mm (though this time in bold colour) and delights in distinctive texture and composition, with painterly touches that make it feel like a found object, a film by and of Cornwall and the sea.
Winner of the Golden Lion Best Film prize at the 2025 Venice Film Festival, FATHER MOTHER SISTER BROTHER is the eagerly-awaited new film from Jim Jarmusch. Funny, tender and astutely observed, this is an intimate exploration of the universal intricacies of family dynamics.
Told in the form of a triptych divided into chapters set in New Jersey, Dublin and Paris, each story concerns the relationships between adult children, their somewhat distant parent (or parents), and each other. Blending remarkable performances from its ensemble cast with Jarmusch’s wry and idiosyncratic observations of everyday life, the iconic indie director’s latest serves as a timely reminder that you can choose your friends and your lovers, but you can’t choose your family.
Michael is the cinematic portrayal of the life and legacy of one of the most influential artists the world has ever known.
The film tells the story of Michael Jackson’s life beyond the music, tracing his journey from the discovery of his extraordinary talent as the lead of the Jackson Five, to the visionary artist whose creative ambition fuelled a relentless pursuit to become the biggest entertainer in the world.
Highlighting both his life off-stage and some of the most iconic performances from his early solo career, the film gives audiences a front-row seat to Michael Jackson as never before. This is where his story begins.
Celebrating the 250th anniversary of their births, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition.
Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other, both used landscape painting to reflect the changing world around them. Tate Britain is bringing these two greats together for a groundbreaking exhibition, in London from November 2025 to April 2026, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen in February so that you can enjoy both film and exhibition together.
A "Man From the Future" arrives at a diner in Los Angeles where he must recruit the precise combination of disgruntled patrons to join him on a one-night quest to save the world from the terminal threat of a rogue artificial intelligence.
With Sam Rockwell at the top of his game, Good Luck, Have Fun, Don’t Die serves up a shockingly fun sci-fi dark comedy that’s primed for repeat viewings.
Almost 20 years after making their iconic turn as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in the eagerly awaited sequel to the 2006 phenomenon that defined a generation.
"THE DEVIL WEARS PRADA 2 contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities."
Set in near-future Brazil where the government prioritises productivity above all else, elderly citizens are forcibly relocated to remote colonies to make way for younger generations. When 77 year old Tereza reaches the mandated age, she refuses to comply. Choosing freedom over submission, she embarks on a transformative journey through the Amazon – a decision that will change her destiny forever. In Portuguese with English subtitles.
Almost 20 years after making their iconic turn as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in the eagerly awaited sequel to the 2006 phenomenon that defined a generation.
"THE DEVIL WEARS PRADA 2 contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities."
Baby friendly cinema screenings are exclusively for parents or carers with babies under the age of one. Tickets are only available to purchase direct from the RBCFT or Midsteeple Box Office by phone or in person.