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14 February
Past Lives (12A)
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Matthew Bourne’s magical dance production of Edward Scissorhands has carved a place in the hearts of audiences worldwide since its premiere in 2005. Based on the classic Tim Burton movie and featuring the hauntingly beautiful music of Danny Elfman and Terry Davies, Bourne and his New Adventures Company return to this witty, bittersweet story of an incomplete boy left alone in a strange new world. Filmed live in March 2024 at the Wales Millenium Centre, Cardiff, this ’visually arresting and ceaselessly inventive’ (★★★★★ Metro) production is ‘the perfect treat for all the family’ (★★★★★ The Times).
In a castle high on a hill lives Edward; a boy created by an eccentric inventor. When his creator dies he is left alone and unfinished with only scissors for hands until a kindly townswoman invites him to live with her suburban family. Can Edward find his place in the well-meaning community which struggles to see past his curious appearance to the innocence and gentleness within?
Join us for Royale with Cheese, Jack Rabbit Slim’s, ‘Misirlou’, “Zed’s dead baby, Zed’s dead”, Vincent Vega and so much more as Quentin Tarantino’s cool 1994 classic returns to the Big Screen for its 30th Anniversary. The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.
Béla Tarr's apocalyptically transcendent portrait of disorder, Werckmeister Harmonies, has been restored in 4K. A mysterious circus excites a small town into rebellion when a promised act doesn't perform. Come see this brooding masterpiece of a town sleepwalking into tyranny from a director who Martin Scorsese called “one of cinema’s most adventurous artists.”
"Unique, mesmeric and sublime."
⭐️ ⭐️ ⭐️ ⭐️ - Guardian
Divine G, imprisoned at Sing Sing for a crime he didn't commit, finds purpose by acting in a theatre group alongside other incarcerated men in this story of resilience, humanity, and the transformative power of art.
This meditative, experimental Irish documentary follows the multidisciplinary artist and shepherd Orla Barry as she reflects on the influence her farming life has had on her art.
Divine G, imprisoned at Sing Sing for a crime he didn't commit, finds purpose by acting in a theatre group alongside other incarcerated men in this story of resilience, humanity, and the transformative power of art.
THE CRITIC is a deliciously dark and sharp-witted thriller set in 1930s London ‘theatreland’ featuring an all-star cast including Ian McKellen, Gemma Arterton, Mark Strong, Ben Barnes, Alfred Enoch, Romola Garai and Lesley Manville.
When the most feared and vicious theatre critic in town Jimmy Erskine (McKellen), finds himself suddenly in the crosshairs of the Daily Chronicle’s new owner David Brooke (Strong), he strikes a sinister Faustian pact with struggling actress Nina Land (Arterton) who is desperate to win his favour.
The story of American photographer Elizabeth Lee Miller (Kate Winslet), a fashion model who became an acclaimed war correspondent for Vogue magazine during World War II. Miller worked with American photojournalist David E Scherman and took many of the most famous images of World War II, present at the battle of St Malo (when napalm bombs were first used), the liberation of Paris, the Battle of Alsace and the US army’s entry to Nazi concentration camps, Buchenwald and Dachau. Her photographs of the latter acted as cold, hard evidence to disbelieving American and British audiences. The American edition of Vogue, June 1945 printed Miller’s photos of emaciated corpses with the message: “Believe It”. She was also a model, famously gracing the cover of Vogue in an Art Deco-style illustration by George Lepape.
THE CRITIC is a deliciously dark and sharp-witted thriller set in 1930s London ‘theatreland’ featuring an all-star cast including Ian McKellen, Gemma Arterton, Mark Strong, Ben Barnes, Alfred Enoch, Romola Garai and Lesley Manville.
When the most feared and vicious theatre critic in town Jimmy Erskine (McKellen), finds himself suddenly in the crosshairs of the Daily Chronicle’s new owner David Brooke (Strong), he strikes a sinister Faustian pact with struggling actress Nina Land (Arterton) who is desperate to win his favour.
Jodie Comer (Killing Eve) makes her West End debut in the UK premiere of Suzie Miller’s award-winning play.
Tessa is a young, brilliant barrister. She has worked her way up from working class origins to be at the top of her game; defending; cross examining and winning. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.