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27 January
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Bryan Cranston (Breaking Bad) and Marianne Jean-Baptiste (Hard Truths) feature in a five-star, triumphantly acclaimed new production of Arthur Miller’s classic play, from visionary director Ivo Van Hove (A View from the Bridge).
One family, the heart of the American dream. When wartime delivers profits for Joe, it comes at a price when his partner is charged with criminal manufacturing deals, and his eldest son goes missing in action. Will peacetime bring peace of mind, or will he be confronted by the consequence of his actions?
Filmed live from the West End, Paapa Essiedu (I May Destroy You), Tom Glynn-Carney (House of the Dragon), and Hayley Squires (I, Daniel Blake) also feature in this disturbingly prescient play. 150m (no interval).
NT Live: All My Sons contains strobe lighting, which may impact customers with photosensitive epilepsy.
What drove Charles Nasmyth to paint a portrait of a man he never met, and had barely heard of?
The Fife-based artist became inspired by the life and work of Hamish Henderson, after meeting Katzel, his widow. He spent a year learning from Hamish’s former friends and colleagues about his achievements.
Well known for his folk song collecting and support for Scottish self-determination, Charles discovered that there was much more to admire in Hamish’s life story. In particular, his own poetry and song-writing, his remarkable war-service in the British Army and his inspirational teaching at Edinburgh University.
Henderson’s folk-song collecting, Charles discovered, was motivated not just by his Perthshire roots, but the influence of Italian philosopher, Antonio Gramsci, whose respect for the ‘culture of the people’ he deeply admired.
And he was determined that the ‘carrying stream’ of Scottish culture, expressed in the songs, ballads and stories he collected, should not be swamped by outside influences. Especially that the Scots language should thrive as a living expression of Scotland’s identity and culture.
In this film, Charles revisits the people who taught him Hamish’s life-story. And explains why he was inspired to paint his portrait.
We are delighted to welcome director Michael Lloyd, and presenter and artist Charles Nasmyth for a post film discussion, as well as Professor Fred Freeman, now at the Royal Conservatoire of Scotland, who studied under Hamish at the School of Scottish Studies and was a close friend.
In the Occupied West Bank of the 1980s, a Palestinian teenager is swept into a protest that changes the course of his family's life. Reeling from its aftermath, his mother, Hanan, shares the story that led them to that fateful moment. Spanning seven decades, this epic drama traces the hopes and heartaches of one uprooted family, revealing not only the scars of displacement, but the unbreakable spirit of survival. In Arabic, English and Hebrew with English subtitles.
The film will feature a post-film discussion iwth Robin Yassin-Kassab, an author and journalist on the Middle East.
Nicola Coughlan (Bridgerton) joins Éanna Hardwicke (The Sixth Commandment) and Siobhán McSweeney (Derry Girls) in John Millington Synge’s riveting play of youth and self-discovery.
Pegeen Flaherty’s life is turned upside down when a young man walks into her pub claiming that he’s killed his father. Instead of being shunned, the killer becomes a local hero and begins to win hearts, that is until a second man unexpectedly arrives on the scene…
Filmed live on stage at the National Theatre, Caitríona McLaughlin directs this darkly funny tale full to the brim with secrets.
BAFTA Award-winner Lesley Manville (Phantom Thread) joins Aidan Turner (Rivals) in a striking new staging of Christopher Hampton’s celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin.
Marquise de Merteuil is a master in the art of survival. Alongside the magnetic Vicomte de Valmont, they turn seduction into strategy and weaponise desire. But when their alliance collapses into rivalry, the battle between them threatens to destroy everyone in their path.
Filmed live on stage at the National Theatre, Marianne Elliott (Angels in America) directs this thrilling game of love, lies, and social warfare.