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It's a BRAND NEW DAY for Peter Parker. Fighting crime full-time as Spider-Man in a world that doesn’t remember him -- and the pressure of seeing his old friends move on without him -- sparks a change in Peter he may not have the power to control. But that transformation might also be the only thing that can stop a shocking new threat to the city and those he loves - a powerful villain no one can even see.
The world may have forgotten Peter Parker, but he hasn’t forgotten them.
Taika Waititi’s iconic film is back in 4K to celebrate its 10 year anniversary. This wonderful film is also showing in tribute to screen legend Sam Neill, who sadly passed away in July aged 78.
Ricky (Julian Dennison) is a defiant young city kid who finds himself on the run with his grumpy foster uncle (Sam Neill). A national manhunt ensues and the two are forced to work together to survive.
Andrei Tarkovsky’s unforgettably haunting film, his first to be made outside Russia, explores the melancholy of the expatriate through the film’s protagonist, Gorchakov, a Russian poet researching in Italy. Arriving at a Tuscan village spa with Eugenia, his beautiful Italian interpreter, Gorchakov is visited by memories of Russia and of his wife and children, and he encounters the local mystic who sets him a challenging task. ‘Nostalgia’ is filled with a series of mysterious and extraordinary images, all of which coalesce into a miraculous whole in the film’s final shot. As in all Tarkovsky’s films, nature, the elements of fire and water, music, painting and poetry all play a major role.
A young boy finds refuge with three delightfully eccentric elderly nuns at a run-down convent facing shutdown. A road trip like no other, Holy Days is a joyful comedy packed with heart, humour, and high-speed hijinks. It’s a story about letting go, holding on, and finding home in the most unexpected places.
“Miriam Margolyes brings her mischievous spirit to this heartwarming comedy” ★★★★ Anna Smith, Saga Magazine
“A heart-warming adventure” Filmhounds
“A movie for the whole family” Film Threat
In his wildly popular Broadway show American Utopia, David Byrne delivers an exhilarating rush of iconic songs, infectious energy and pure theatrical joy. Following the huge big-screen success of Stop Making Sense, and with Byrne returning to the UK this summer including a headline appearance at Latitude Festival, Spike Lee transforms the celebrated production into an electrifying cinematic experience bursting with astounding performances, inventive choreography and political urgency.
Flowing like an iridescent dream vision, the film fuses work by James Baldwin, Janelle Monáe and Kurt Schwitters with exhilarating renditions of Byrne’s solo work and Talking Heads classics.
Joyous, urgent and utterly crowd-pleasing, Byrne and his co-performers light up the screen and burn down the house.
After a mysterious cosmic event rips Oak Street from suburbia and transports their neighbourhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.
"The End of Oak Street absolutely rocks. hilarious, perfectly paced, Ambliny but mean as hell, Anne Hathaway blasts a T-Rex with a shotgun… it delivers more fun in any 5-minute stretch than the entire Jurassic franchise has in total since the 90s. Biggest surprise of the summer" - David Ehrlich / IndieWire
The Monday Night Film Club returns with a classic drama from Hungarian director István Szabó, the Oscar®-winning director of Mephisto, Hanussen and Being Julia.
Set in Hungary in the years following the end of WW2, a young boy concocts a fantasy ideal of his father who has been killed in the war. In the boy's fertile imagination, the father attains mythical and heroic qualities. Szabó's poignant cinematic ode, combining humour with a poetic nostalgia, relates historical events through the prism of personal experience, producing a film of extraordinary warmth, intimacy and power. Chosen by Hungarian critics and writers as one of the best Hungarian films of all time, Father also boasts luminous monochrome cinematography by the great Sándor Sára. In black and white | In Hungarian with English subtitles.
"Szabó's superb second feature, a major prizewinner at the time... shot and edited with all the effervescent brio of early Truffaut" Michael Brooke, MovieMail
"A beautiful study of the need for heritage... Szabó has told his story on two levels that complement each other magnificently" The New York Times
The 50th Anniversary of punk is being celebrated with a new documentary from internationally renowned producer/director Danny Garcia - also responsible for recent docs on Stiv Bators, Sid Vicious, Johnny Thunders and The Fuzztones and last year's The Rise and Fall of The Clash Redux - Vive Le Punk focuses on four bands formed during the glory days of punk - Sham 69, 999, Ruts DC and The Boys - and still carrying the torch five decades on.
Featuring new and revealingly candid interviews with all the bands as well as punk icons Charlie Harper, Dr. John Cooper Clarke, Gaye Advert and other noted punk luminaries, the film examines the history of the scene and discusses the meaning and purpose of punk today.
In the 72 hours leading up to D-Day, all the pieces are in place except for one key element – the British weather. Britain’s chief meteorological officer James Stagg (Andrew Scott) is called upon to deliver the most consequential forecast in history, locking him into a tense standoff with the entire Allied leadership. The wrong conditions could devastate the largest ever seaborne invasion, while any delay risks German intelligence catching on.
With only his trusted aide Captain Kay Summersby (Kerry Condon) to confide in, and haunted by a catastrophic D-Day rehearsal, the final decision rests with Supreme Allied Commander Dwight D. Eisenhower (Brendan Fraser). With only hours to go, the fate of the war and the lives of millions hang in the balance.
Bitter Christmas is the latest film from iconic director Pedro Almodóvar. The Spanish language drama tells two alternating stories, one starring Elsa, an advertising director, in 2004, during a long weekend in December. The second takes place in 2026 and stars Raúl, a screenwriter and director who is writing a script that we soon discover is the story of Elsa, her boyfriend Bonifacio, and her friends Patricia and Natalia. Mixed with fiction, Elsa is, in a way, Raúl's alter ego, who, like him, resorts to autofiction as a solution to a long period of creative drought. He looks inside himself, and he can't help but also look at the people who make up his most intimate universe: his partner and his assistant. The film narrates the close relationship between reality and fiction, between inspiration and life, exploring the limits of autofiction and stories within stories. In Spanish with English subtitles.