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10 February
Sentimental Value (15)
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At one of her lavish parties, celebrated Parisan courtesan Violetta is introduced to Alfredo Germont. The two fall madly in love, and though hesitant to leave behind her life of luxury and freedom, Violetta follows her heart. But the young couple’s happiness is short-lived, as the harsh realities of life soon come knocking.
Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy.
Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question – you know the one.
National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining.
Keaton’s 1924 comedy classic is reimagined with R.E.M. 's alt-rock masterpieces Monster (1994) and New Adventures in Hi-Fi (1996).
In this sublime comedy teetering between reality and illusion, Buster Keaton stars as a film projectionist who dreams of becoming a detective. He uses his limited skills when he is framed by a rival for stealing his girlfriend’s father’s pocket watch. Keaton reportedly broke his neck performing one of the many dangerous practical stunts in the film. Whether you’re a movie lover or a rock music fan this is an experience you won’t want to miss!!
Sherlock Jr. will be preceded by a special presentation of one of Keaton’s classic short film works, The Balloonatic (1923), soundtracked by a new composition by renowned Brazilian electronic artist, Amon Tobin.
Virginia Woolf defied literary conventions to depict rich inner worlds – her heightened, startling and poignant reality. Resident Choreographer Wayne McGregor leads a luminous artistic team to evoke Woolf’s signature stream of consciousness writing style in this immense work that rejects traditional narrative structures. Woolf Works is a collage of themes from Mrs Dalloway, Orlando, The Waves and Woolf’s other writings. Created in 2015 for The Royal Ballet, this Olivier-award winning ballet triptych captures the heart of Woolf’s uniquely artistic spirit.
Returning to cinemas for the first time in over a decade, Helen Mirren plays Queen Elizabeth II in the Olivier and Tony Award® -winning hit production, directed by Stephen Daldry.
For 60 years, Queen Elizabeth II met with each of her 12 prime ministers in a private weekly meeting. This meeting is known as The Audience. From Winston Churchill to Margaret Thatcher and David Cameron, the Queen advised her prime ministers on matters both public and personal. Through these private audiences, we see glimpses of the woman behind the crown and witness the moments that shaped a monarch.
Peter Morgan’s Netflix phenomenon The Crown was based on this hit play that was captured live from London’s West End in 2013 and went on to become one of the most-watched NT Live productions.
The peasant girl Giselle has fallen in love with Albrecht. When she discovers that he is actually a nobleman promised to another, she kills herself in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost.
Peter Wright’s 1985 production of this quintessential Romantic ballet is a classic of The Royal Ballet repertory. Set to Adolphe Adam’s evocative score and with atmospheric designs by John Macfarlane, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption.
Shakespeare’s OTHELLO rages to life like never before in a ‘compelling’ (★★★★ Telegraph) new production starring David Harewood OBE (Homeland, Best of Enemies), Toby Jones OBE (Mr Bates vs the Post Office, Detectorists), Caitlin FitzGerald (Succession, Masters of Sex), Vinette Robinson (Boiling Point) and Luke Treadaway (A Street Cat Named Bob).
Directed by Tony Award-winner Tom Morris OBE (War Horse, Dr Semmelweis, The Grinning Man) with music by PJ Harvey, this epic story of manipulation, jealousy and toxic masculinity explores the darker side of power, rage and desire. Filmed live at the Theatre Royal Haymarket in London especially for the big screen, this is ‘an electrifying star-studded Othello.’ (★★★★ Mail on Sunday)
Raised by a scheming dwarf and unaware of his true family origins, a young man embarks on an epic journey. Soon, destiny brings him face-to-face with a shattered sword, a fearsome dragon and the cursed ring it guards, and a Valkyrie forced into enchanted slumber...
Moments of transcendent beauty and heroic triumph sparkle in the third chapter of Wagner’s Ring cycle, brought to life under Barrie Kosky’s inspired eye following his spectacular Das Rheingold (2023) and Die Walküre (2025). Andreas Schager, in his much-anticipated debut with The Royal Opera, stars as Siegfried’s titular hero, alongside Christopher Maltman’s towering Wanderer, Peter Hoare’s treacherous Mime and Elisabet Strid’s radiant Brünnhilde. Antonio Pappano conducts, drawing out the unspoken tensions and ethereal mysticism of Wagner’s dynamic score.
Princess Pamina has been captured. Her mother, the Queen of the Night, tasks the young Prince Tamino with her daughter’s rescue. But when Tamino and his friendly sidekick, Papageno, embark on their adventure, they soon learn that when it comes to the quest for love, nothing is as it really seems. Guided by a magic flute, they encounter monsters, villains, and a mysterious brotherhood of men – but help, it turns out, comes when you least expect it.
Mozart’s fantastical opera glitters in David McVicar’s enchanting production. A star cast including Julia Bullock as Pamina, Amitai Pati as Tamino, Huw Montague Rendall as Papageno, Kathryn Lewek as the Queen of the Night, and Soloman Howard as Sarastro, led by French conductor Marie Jacquot in her Covent Garden debut.
Following her acclaimed 2024 company debut in Puccini’s MadamaButterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late. The Met’s evocative production, directed by Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of … Tchaikovsky’s lyrical romance” (The Telegraph).