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A multi generational family of witches, cursed to be loveless for centuries, attempts to break the spell by confronting dark secrets and sacrificing for each other.
Starring Sandra Bullock and Nicole Kidman, Practical Magic 2 returns to a world steeped in moonlit mischief and powerful ancestral magic, as the Owens sisters must confront the dark curse that threatens to unravel their family once and for all in a must-see cinematic event of fun, magic and mayhem.
Baby friendly cinema screenings are exclusively for parents or carers with babies under the age of one. Tickets are only available to purchase direct from the RBCFT or Midsteeple Box Office by phone or in person.
In the 72 hours leading up to D-Day, all the pieces are in place except for one key element – the British weather. Britain’s chief meteorological officer James Stagg (Andrew Scott) is called upon to deliver the most consequential forecast in history, locking him into a tense standoff with the entire Allied leadership. The wrong conditions could devastate the largest ever seaborne invasion, while any delay risks German intelligence catching on.
With only his trusted aide Captain Kay Summersby (Kerry Condon) to confide in, and haunted by a catastrophic D-Day rehearsal, the final decision rests with Supreme Allied Commander Dwight D. Eisenhower (Brendan Fraser). With only hours to go, the fate of the war and the lives of millions hang in the balance.
Maria, a primary school teacher doing her best to inspire a class of 10-year-olds, is stifled by one unruly and chaotic student. With her career in question and the child's behaviour spiralling, she makes a series of bad decisions that lead to her accidentally taking and locking this "bad apple" in her home. Maria tries desperately to backtrack, but when the class starts flourishing and the staff and parents are thrilled with the improvement, she finds herself in a very complicated predicament.
Bitter Christmas is the latest film from iconic director Pedro Almodóvar. The Spanish language drama tells two alternating stories, one starring Elsa, an advertising director, in 2004, during a long weekend in December. The second takes place in 2026 and stars Raúl, a screenwriter and director who is writing a script that we soon discover is the story of Elsa, her boyfriend Bonifacio, and her friends Patricia and Natalia. Mixed with fiction, Elsa is, in a way, Raúl's alter ego, who, like him, resorts to autofiction as a solution to a long period of creative drought. He looks inside himself, and he can't help but also look at the people who make up his most intimate universe: his partner and his assistant. The film narrates the close relationship between reality and fiction, between inspiration and life, exploring the limits of autofiction and stories within stories. In Spanish with English subtitles.
Amanda and her stepfather Martin struggle with a moral issue that divides them. Has Amanda’s mother, Leslie, who is experiencing advanced dementia, lost the ability to make critical decisions in her own best interest? If so, who is responsible – a spouse, a child, an institution – for making such a determination? As Amanda and Martin are forced to make increasingly difficult choices, the repercussions spiral out of their control. In French and English with some subtitles in English.
Winner of 8 Tony Awards including Best Musical and the Grammy Award for Best Musical Theater Album, HADESTOWN: THE MUSICAL is the genre-defying musical blending modern American folk music with New Orleans-inspired jazz to reimagine a sweeping ancient tale of two intertwining love stories, that of young dreamers Orpheus and Eurydice, and King Hades and his wife Persephone. Filmed live on stage in London’s West End and featuring the original Broadway stars, HADESTOWN: THE MUSICAL invites audiences on a hell-raising journey to the underworld and back.
Recorded live and not a live broadcast.
The great Willem Dafoe lends his delicate gravitas to the role of Ed Saxberger, a forgotten New York poet who works in the post office. After an eager and flattering young admirer (Edmund Donovan) appears on his doorstep, Saxberger is beckoned into a coterie of twentysomething admirers who anoint him as a rediscovered genius. Intoxicated by the attention—and by the alluring presence of Gloria, the group’s “tragic heroine” (a sinuous, Kurt Weill–crooning Greta Lee)—Saxberger gradually reckons with the authenticity of his newfound poetic circle. This thoughtful, witty second feature from Kent Jones (Diane), working from a sly and hugely entertaining script by Oscar-nominated screenwriter Samy Burch (May December), is a wistful yet unromantic look at a lost idea of downtown New York.
The ever popular French Film Festival returns to the RBC with a classic thriller from 1995. France’s master of suspense, Claude Chabrol, relishes every malevolent, icily controlled shot of this perfectly constructed thriller, right up to its terrifying, violent climax.
Adapted from Ruth Rendell's classic thriller, A Judgement in Stone, Chabrol transposes it to a remote French village. This iconic film has left a lasting mark on the cinematic landscape. Its influence transcends borders, shaping contemporary masterpieces like Bong Joon-Ho’s Parasite. In French with English subtitles.
"Creates a palpable sense of unease that fully justifies the shockingly violent finale." - Time Out
An unforgettable road trip across Europe, from the Atlantic to Istanbul… Director Mathias Mlekuz stars in a fictionalised version of the real-life bike pilgrimage he took with his co-star and actor friend Philippe Rebbot. They travel from the west coast of France to Istanbul to pay homage to Mathias’ son Youri after his untimely and shocking death.
Filled with moments of intense emotions and occasionally bursting with laughter, this journey becomes an opportunity for these two friends to explore their friendship and pay tribute to Youri’s memory. Audience Award, best director and best music at Angoulême Francophone Film Festival 2024. In French with English subtitles.
"Bittersweet middle-aged bromance." The Guardian
There will be no adverts or trailers with this screening.
Winner of the Silver Bear for Best Director at the 2026 Berlin Film Festival, Everybody Digs Bill Evans is a biographical drama film about the famous jazz pianist and composer Bill Evans.
1961. Bill Evans is playing with what he considers the perfect musical trio until tragedy strikes in the premature death of his bass player, Scott LaFaro - his musical soulmate. Traumatised by grief, Evans stops playing for the first time since his childhood. A tug-of-war between personal torment and the seemingly safer haven of familial love will see Evans oscillate between New York and suburbia, his genius always bubbling beneath the surface.
Directed by Grant Gee and starring Anders Danielsen Lie, Bill Pullman and Laurie Metcalf, the film is written by Mark O’Halloran and based on Owen Martell’s novel Intermission.
Filmed at the National Galleries of Scotland during the 2025 retrospective, ‘Andy Goldsworthy: 50 Years’, this film captures a dialogue between artist Andy Goldsworthy and art historian, author, and broadcaster Andrew Graham Dixon.
The documentary offers a look behind the scenes of Goldsworthy’s largest and most ambitious indoor exhibition. Surrounded by new installations created specifically for the show, the pair explore the core environmental philosophies, fleeting natural materials, and creative ideas that have defined the artist's extraordinary half-century career.
There will be a Q & A Session with Andrew Graham-Dixon after the film.
TV adaptation of the popular series of children's books by Janet and Allan Ahlberg about the comical adventures of two skeletons and their skeletal dog. Narrated by comedian Griff Rhys Jones.
This dark and mesmerising collection of horror and thriller shorts showcases the extraordinary power of animation to illuminate the shadowy corners of the human imagination. This screening is part of Manipulate Arts’ Autumn Animation Season.
Each film delves into the depths of fear, obsession, and the unknown, transforming intangible nightmares into hauntingly beautiful visual experiences. Through a blend of striking artistry and storytelling, creators from around the world unravel cautionary tales that warn of human folly, bring to life the monsters lurking within, and paint chilling visions of futures twisted by our own desires and mistakes. Together, these animated works remind us that sometimes, the most terrifying worlds are the ones we create ourselves. The programme will feature films from four continents, including some of the most exciting titles on the current festival circuit.
This programme has been selected by Manipulate Arts and presented in partnership with ArtsD&G. Manipulate Arts’ Autumn Animation Season is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, awarding funding on behalf of Screen Scotland and the BFI National Lottery.
