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In Disney's live-action reimagining of the beloved Oscar®-nominated animated adventure, Moana (Catherine Laga'aia) answers the Ocean's call and, for the first time, voyages beyond the reef of her island of Motunui with the infamous demigod Maui (Dwayne Johnson) on an unforgettable journey to restore prosperity to her people.
We are pleased to take part in this years Nithraid, the annual sail and row boat race and festival held just outside the RBC each August, with a debut documentary screening by locally born filmmaker Glenda Rome.
The film delves into geopoetics, a philosophy developed by Scottish poet and thinker Kenneth White, which emphasizes a deep connection between the mind, language, and the living world.
Lecturer in Environmental Humanities at the University of Glasgow’s Dumfries Campus, David Borthwick, will lead an informal discussion following the screening, touching on Geopoetics and the ways in which the film depicts landscape and ecology.
About the Director: Glenda is a Scottish filmmaker, originally from Dumfriesshire, whose cinematic work bridges art, environmental and human connection. For over two decades she has worked internationally on documentaries and community projects — from collaborating with Indigenous communities in the Ecuadorian rainforest and Iñupiat people in Alaska, to helping young and under-represented voices tell their own stories through film.
The toys are back with Toy Story 5, and this time it’s Toy meets Tech. Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Jessie (Joan Cusack) and the rest of the gang’s jobs are challenged when they come face-to-face with Lilypad (Greta Lee), a brand-new tablet device that arrives with her own disruptive ideas about what is best for their kid, Bonnie.
A family spend a transformative summer at their cabin on a remote island in the Gulf of Finland. Adapted from Tove Jansson’s beloved novel, the film explores grief, nature, and the delicate bonds between a young girl (Emily Matthews), her wise grandmother (Glenn Close), and her grieving father (Anders Danielsen Lie).
“A loving portrait of budding and fading” – New York Times
“Makes you believe in the healing powers of (a) place” – The Hollywood Reporter
Momo, based on the 1973 fantasy novel by Michael Ende, follows Momo, a young orphan girl living in an old ruin. When mysterious grey gentlemen from a corporation start stealing people's time, Momo and the Guardian of Time must fight to save humanity.
In his wildly popular Broadway show American Utopia, David Byrne delivers an exhilarating rush of iconic songs, infectious energy and pure theatrical joy. Following the huge big-screen success of Stop Making Sense, and with Byrne returning to the UK this summer including a headline appearance at Latitude Festival, Spike Lee transforms the celebrated production into an electrifying cinematic experience bursting with astounding performances, inventive choreography and political urgency.
Flowing like an iridescent dream vision, the film fuses work by James Baldwin, Janelle Monáe and Kurt Schwitters with exhilarating renditions of Byrne’s solo work and Talking Heads classics.
Joyous, urgent and utterly crowd-pleasing, Byrne and his co-performers light up the screen and burn down the house.
In the 72 hours leading up to D-Day, all the pieces are in place except for one key element – the British weather. Britain’s chief meteorological officer James Stagg (Andrew Scott) is called upon to deliver the most consequential forecast in history, locking him into a tense standoff with the entire Allied leadership. The wrong conditions could devastate the largest ever seaborne invasion, while any delay risks German intelligence catching on.
With only his trusted aide Captain Kay Summersby (Kerry Condon) to confide in, and haunted by a catastrophic D-Day rehearsal, the final decision rests with Supreme Allied Commander Dwight D. Eisenhower (Brendan Fraser). With only hours to go, the fate of the war and the lives of millions hang in the balance.
Bitter Christmas is the latest film from iconic director Pedro Almodóvar. The Spanish language drama tells two alternating stories, one starring Elsa, an advertising director, in 2004, during a long weekend in December. The second takes place in 2026 and stars Raúl, a screenwriter and director who is writing a script that we soon discover is the story of Elsa, her boyfriend Bonifacio, and her friends Patricia and Natalia. Mixed with fiction, Elsa is, in a way, Raúl's alter ego, who, like him, resorts to autofiction as a solution to a long period of creative drought. He looks inside himself, and he can't help but also look at the people who make up his most intimate universe: his partner and his assistant. The film narrates the close relationship between reality and fiction, between inspiration and life, exploring the limits of autofiction and stories within stories. In Spanish with English subtitles.
Amanda and her stepfather Martin struggle with a moral issue that divides them. Has Amanda’s mother, Leslie, who is experiencing advanced dementia, lost the ability to make critical decisions in her own best interest? If so, who is responsible – a spouse, a child, an institution – for making such a determination? As Amanda and Martin are forced to make increasingly difficult choices, the repercussions spiral out of their control. In French and English with some subtitles in English.
Winner of 8 Tony Awards including Best Musical and the Grammy Award for Best Musical Theater Album, HADESTOWN: THE MUSICAL is the genre-defying musical blending modern American folk music with New Orleans-inspired jazz to reimagine a sweeping ancient tale of two intertwining love stories, that of young dreamers Orpheus and Eurydice, and King Hades and his wife Persephone. Filmed live on stage in London’s West End and featuring the original Broadway stars, HADESTOWN: THE MUSICAL invites audiences on a hell-raising journey to the underworld and back.
Recorded live and not a live broadcast.