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9 June
SCHOOL SCREENING:The Sheep Detectives (PG) (These screenings are for school parties ONLY).
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23 June
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Two brothers following a violent exchange with their father on the day of their mother's funeral, the younger of the two left their Highland home for America. After forty years they reunite in the land of their birth. Legendary actor Brian Cox makes his indelible directorial debut with this tense drama about family and forgiveness, featuring fellow veterans Alan Cumming (The Anniversary Party) and Shirley Henderson (Trainspotting).
Based on the improbably true story, CALIFORNIA SCHEMIN’ follows two aspiring Scottish MCs who devise an audacious scheme to achieve their dream of a record deal, by posing as Californian hip hop artists. As fame beckons and the lies pile up, their friendship is put to the test. Comedy drama directed by James McAvoy.
Mario ventures into space, exploring cosmic worlds and tackling galactic challenges far from the familiar Mushroom Kingdom.
Bart Schrijver’s acclaimed drama follows former best friends and roommates Chris (Bart Harder) and Lluis (Carles Pulido), who meet up after a decade to hike Scotland’s West Highland Way and Cape Wrath Trail.
Shot entirely on the route of the walk, and in chronological order, The North is a beautiful ode to friendship and the healing power of nature. It’s not only a poignant and powerful drama, but also perhaps the definitive hiking film, allowing us to take in the stunning majesty of the Highlands shoulder-to-shoulder with Lluis and Chris as they reconnect with each other and with nature.
A happily engaged couple is put to the test when an unexpected turn sends their wedding week off the rails. The Drama is the new lovestory starring Zendaya, Robert Pattinson and Alana Haim.
Relive one of the most influential Sci-Fi stories ever told, 35 years after it introduced UK audiences to the cinematic spectacle and powerful stories of anime. Anime Limited are excited to announce that Katsuhiro Otomo’s landmark cyberpunk epic AKIRA is exploding back onto cinema screens.
Rebuilt from the ashes of World War III, Neo-Tokyo is a breathtaking, neon-lit metropolis where lawlessness and corruption run rampant. Racing through its streets are Kaneda and Tetsuo, two delinquents and members of a biker gang. When they crash into a secret government plot and Tetsuo is experimented on, the result is an explosive, mesmerising masterpiece of animation that would change cinema forever.
30 years ago, the Rose of Nevada was lost at sea with all hands. When it suddenly reappears in the harbour of a rundown Cornish fishing village, it feels like a sign: if the Rose sets sail again, perhaps the village’s luck will turn. Nick (George MacKay) takes a job aboard, joined by newly arrived drifter Liam (Callum Turner). The boat and its new voyage are symbols of hope, but when Nick and Liam return from the sea, something strange has happened – instead of moving into the future, they have re-entered the past.
Bait and Enys Men director Mark Jenkin’s time-travelling odyssey is a mysterious and unconventional story of identity, grief and the vagaries of time, of people who are attuned to the present and those who are fixed in the past. Like Bait, it’s shot in 16mm (though this time in bold colour) and delights in distinctive texture and composition, with painterly touches that make it feel like a found object, a film by and of Cornwall and the sea.
30 years ago, the Rose of Nevada was lost at sea with all hands. When it suddenly reappears in the harbour of a rundown Cornish fishing village, it feels like a sign: if the Rose sets sail again, perhaps the village’s luck will turn. Nick (George MacKay) takes a job aboard, joined by newly arrived drifter Liam (Callum Turner). The boat and its new voyage are symbols of hope, but when Nick and Liam return from the sea, something strange has happened – instead of moving into the future, they have re-entered the past.
Bait and Enys Men director Mark Jenkin’s time-travelling odyssey is a mysterious and unconventional story of identity, grief and the vagaries of time, of people who are attuned to the present and those who are fixed in the past. Like Bait, it’s shot in 16mm (though this time in bold colour) and delights in distinctive texture and composition, with painterly touches that make it feel like a found object, a film by and of Cornwall and the sea.
Winner of the Golden Lion Best Film prize at the 2025 Venice Film Festival, FATHER MOTHER SISTER BROTHER is the eagerly-awaited new film from Jim Jarmusch. Funny, tender and astutely observed, this is an intimate exploration of the universal intricacies of family dynamics.
Told in the form of a triptych divided into chapters set in New Jersey, Dublin and Paris, each story concerns the relationships between adult children, their somewhat distant parent (or parents), and each other. Blending remarkable performances from its ensemble cast with Jarmusch’s wry and idiosyncratic observations of everyday life, the iconic indie director’s latest serves as a timely reminder that you can choose your friends and your lovers, but you can’t choose your family.
Michael is the cinematic portrayal of the life and legacy of one of the most influential artists the world has ever known.
The film tells the story of Michael Jackson’s life beyond the music, tracing his journey from the discovery of his extraordinary talent as the lead of the Jackson Five, to the visionary artist whose creative ambition fuelled a relentless pursuit to become the biggest entertainer in the world.
Highlighting both his life off-stage and some of the most iconic performances from his early solo career, the film gives audiences a front-row seat to Michael Jackson as never before. This is where his story begins.