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Lilo & Stitch (U) Sat 21 (11:00am) & Sun 22 June (11:00am)
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In his wildly popular Broadway show American Utopia, David Byrne delivers an exhilarating rush of iconic songs, infectious energy and pure theatrical joy. Following the huge big-screen success of Stop Making Sense, and with Byrne returning to the UK this summer including a headline appearance at Latitude Festival, Spike Lee transforms the celebrated production into an electrifying cinematic experience bursting with astounding performances, inventive choreography and political urgency.
Flowing like an iridescent dream vision, the film fuses work by James Baldwin, Janelle Monáe and Kurt Schwitters with exhilarating renditions of Byrne’s solo work and Talking Heads classics.
Joyous, urgent and utterly crowd-pleasing, Byrne and his co-performers light up the screen and burn down the house.
OASIS: DON’T LOOK BACK IN ANGER charts Liam and Noel Gallagher’s triumphant reunion tour, Oasis Live ‘25, one of the most anticipated rock ‘n’ roll comebacks of our time. The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world. The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.
"OASIS: DON’T LOOK BACK IN ANGER contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.”
The 50th Anniversary of punk is being celebrated with a new documentary from internationally renowned producer/director Danny Garcia - also responsible for recent docs on Stiv Bators, Sid Vicious, Johnny Thunders and The Fuzztones and last year's The Rise and Fall of The Clash Redux - Vive Le Punk focuses on four bands formed during the glory days of punk - Sham 69, 999, Ruts DC and The Boys - and still carrying the torch five decades on.
Featuring new and revealingly candid interviews with all the bands as well as punk icons Charlie Harper, Dr. John Cooper Clarke, Gaye Advert and other noted punk luminaries, the film examines the history of the scene and discusses the meaning and purpose of punk today.
Maria, a primary school teacher doing her best to inspire a class of 10-year-olds, is stifled by one unruly and chaotic student. With her career in question and the child's behaviour spiralling, she makes a series of bad decisions that lead to her accidentally taking and locking this "bad apple" in her home. Maria tries desperately to backtrack, but when the class starts flourishing and the staff and parents are thrilled with the improvement, she finds herself in a very complicated predicament.
The ever popular French Film Festival returns to the RBC with a classic thriller from 1995. France’s master of suspense, Claude Chabrol, relishes every malevolent, icily controlled shot of this perfectly constructed thriller, right up to its terrifying, violent climax.
Adapted from Ruth Rendell's classic thriller, A Judgement in Stone, Chabrol transposes it to a remote French village. This iconic film has left a lasting mark on the cinematic landscape. Its influence transcends borders, shaping contemporary masterpieces like Bong Joon-Ho’s Parasite. In French with English subtitles.
"Creates a palpable sense of unease that fully justifies the shockingly violent finale." - Time Out
Winner of the Silver Bear for Best Director at the 2026 Berlin Film Festival, Everybody Digs Bill Evans is a biographical drama film about the famous jazz pianist and composer Bill Evans.
1961. Bill Evans is playing with what he considers the perfect musical trio until tragedy strikes in the premature death of his bass player, Scott LaFaro - his musical soulmate. Traumatised by grief, Evans stops playing for the first time since his childhood. A tug-of-war between personal torment and the seemingly safer haven of familial love will see Evans oscillate between New York and suburbia, his genius always bubbling beneath the surface.
Directed by Grant Gee and starring Anders Danielsen Lie, Bill Pullman and Laurie Metcalf, the film is written by Mark O’Halloran and based on Owen Martell’s novel Intermission.
Filmed at the National Galleries of Scotland during the 2025 retrospective, ‘Andy Goldsworthy: 50 Years’, this film captures a dialogue between artist Andy Goldsworthy and art historian, author, and broadcaster Andrew Graham Dixon.
The documentary offers a look behind the scenes of Goldsworthy’s largest and most ambitious indoor exhibition. Surrounded by new installations created specifically for the show, the pair explore the core environmental philosophies, fleeting natural materials, and creative ideas that have defined the artist's extraordinary half-century career.
There will be a Q & A Session with Andrew Graham-Dixon after the film.
This dark and mesmerising collection of horror and thriller shorts showcases the extraordinary power of animation to illuminate the shadowy corners of the human imagination. This screening is part of Manipulate Arts’ Autumn Animation Season.
Each film delves into the depths of fear, obsession, and the unknown, transforming intangible nightmares into hauntingly beautiful visual experiences. Through a blend of striking artistry and storytelling, creators from around the world unravel cautionary tales that warn of human folly, bring to life the monsters lurking within, and paint chilling visions of futures twisted by our own desires and mistakes. Together, these animated works remind us that sometimes, the most terrifying worlds are the ones we create ourselves. The programme will feature films from four continents, including some of the most exciting titles on the current festival circuit.
This programme has been selected by Manipulate Arts and presented in partnership with ArtsD&G. Manipulate Arts’ Autumn Animation Season is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, awarding funding on behalf of Screen Scotland and the BFI National Lottery.