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11 October
Grand Prix of Europe (U)
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14 October
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Downton Abbey: The Grand Finale, the cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. When Mary finds herself at the centre of a public scandal and the family faces financial trouble, the entire household grapples with the threat of social disgrace. The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future.
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Nadine Sierra stars as Amina in The Metropolitan Opera's new production of Bellini’s poignant tale of love lost and found, directed by Rolando Villazón.
Disgruntled sous-chef Cathy Marie leaves her job at a high-end gourmet restaurant to pursue her dreams of becoming a head chef at her own restaurant. But when her plans don’t quite work out, she finds herself strapped for cash and with a new job running the cafeteria at the local migrant shelter run by Lorenzo and Sabine. French stars Audrey Lamy and François Cluzet star in Louis-Julien Petit’s big-hearted feel-good comedy about a high-end chef who finds herself working in the cafeteria of a migrant shelter. In French with English Subtitles
Two horror fans buy a creepy duplex to shoot a film. They find cult members gathering outside in a trance. The friends investigate the phenomenon, their obsession escalating as they pursue real-life horror thrills.
Filmmakers Toti and Kempf have held firm that their film will only be seen in cinemas and will never be released on the small screen.
‘This film contains flickering or flashing lights that may affect those with photosensitive epilepsy’.
"An increasingly uncomfortable descent into the weird guaranteed to have you leaving the theatre chilled… it sucks the viewer in, waiting for the perfect time to strike" - DREAD CENTRAL
"This is a good film, a great horror film, and an audience is out there waiting for it... It may rightfully live on in the pantheon of transformative horror." - FILM CLUB 3000
A widowed fisherwoman (Emma Thompson), travelling alone through snowbound northern Minnesota, interrupts the kidnapping of a teenage girl. Hours from the nearest town and with no phone service, she realizes that she is the young girl's only hope.
The latest dramatic thriller from Kathryn Bigelow, the Oscar-winning director of The Hurt Locker and Zero Dark Thirty.
When a single, unattributed missile is launched at the United States, a race begins to determine who is responsible and how to respond.
Content warning: flashing/flickering lights
This work contains flashing images which may affect viewers who are susceptible to photosensitive epilepsy.
Iggety ziggety zaggety zoom! Jump on board the broom with the witch and her cat in the animated adaptation of the best-selling picture book by Julia Donaldson and Axel Scheffler.
Audiences are invited to bring their little ones to enjoy the magic of Disney on the big screen, with a fun-filled interactive cinema experience.
At the Disney Junior Cinema Club, preschoolers can sing aloud, stand up and dance, clap and join in with the interactive games.
On the big screen, Mickey Mouse as the animated host leads you and your little ones, through shows, songs and games over the course of an hour. With all your favourite Disney Junior characters making an appearance on screen.
All tickets £4.50 per person.
PUT YOUR SOUL ON YOUR HAND AND WALK is a haunting testament to the resilience of daily life under siege in Gaza. Captured through a filmmaker's video calls with Palestinian photojournalist Fatma Hassona, these calls act as a powerful digital lifeline to the realities of war, resistance and survival. In English, French and Arabic with English subtitles.
There will be be a post-film discussion after the film.
Screening in association with Dumfries and Galloway Palestine Solidarity Campaign.
Five-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw’s incendiary moral classic.
Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune – but at what cost?
Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, GOOD), exploring the clash between morality and independence, traditions, and progress.